Pan A—— lives in the pension, too. I am told that he is typical of a certain kind of Pole. He is a turfman, with carefully brushed side-whiskers dyed coal-black, and hawk-like eyes. He wears check suits, and cravats with a little diamond horse-pin. His legs are bowed like a jockey's. He was the overseer of a big Polish estate and has made a fortune by cards and horses. His stable is famous. He has raced from Petrograd to London. Now, of course, his horses have been requisitioned, and he lives by his cards. Cards are a serious business to him. He will not play in a room where he is apt to be interrupted. Occasionally, his wife, a hard-faced woman with tight lips, comes to the pension, between the visits she makes to friends in the country. Pan A—— pays no attention to her except to treat her with an exaggerated politeness at table; and she, on her side, concentrates on the young men in the pension. After dinner he always hands her a cigarette first, out of his massive gold case, encrusted with arms and monograms and jewels.
"It's curious, is it not?" he says, handing me the case. "My friends have put on their arms and monograms and mounted the jewels as souvenirs."
Generally, he goes to the Café François with a tall blonde woman, the wife of an Austrian. Her husband and son are fighting in the Austrian army, but she came to Kiev with the Russian General who occupied her town. Now her protector is at the front, and she goes about with A——.
A—— is cynical. Women and horses and cards make up his life. In a conversation he feels his audience as if it were a new horse he is learning to ride. He goes as near the danger line as he dares. He has no breeding, and spends his money extravagantly.
K——, the last comer at the pension, is a journalist. He has no race or polish, and the rest rather despise him for having none of their landed traditions. He is lean and brown, with a razor-like jaw and a twisted, sardonic expression to his lips. His face is cruel. At Warsaw, where he was working, he was thrown into prison time after time on account of the radical, revolutionary character of his articles. He is well known for the strong, intellectual quality of his work. The reactionaries fear him. The slipshod Russian way of handling things gets on his nerves. His eyes get like steel when he talks about it. Russia's corruption and the German advance—ammunition willfully miscarried—guns sent to the front without ammunition, and ammunition sent that doesn't fit; and the soldiers obliged to fight with their naked fists!
He has sent me Chamberlin's "Genesis of the Fourteenth Century." We discuss it after dinner. It's interesting, though Chamberlin sets forth an idea he tries to prove at all costs. Read it, if you haven't already.
How terribly I miss you. Why do I write of Pan Tchedesky and the Morowskis when I only want to be telling you how I love you and miss you? But it is almost unbearable to write you a love-letter. So many miles are between us and so many months still separate us. Over a year more to be lived through. No. I must keep to decaying Polish gentlemen and exiled noblemen and trust you to know that every word in this letter is a love-word to you, telling you I hold you so close to me that you are one with me in everything I think or do.
July 27, 1915.
Darlingest Mother and Dad:—