Peter bought some little Polish cakes, and we had hot tea to cheer us up—three and four glasses of tea.
Good-night. Sometimes, when I think of you, I don't see all of you, but instead a particular gesture, or I hear an inflection of voice that is too familiar to be borne. Now I see mother's hands and they are beautiful.
Ruth.
September.
Dearests:—
Every day now we go out into the garden. We play ball and play tag in the wind to get warm.
There is a private hospital at one end of our apartment house, supported by a wealthy Polish woman. Two or three times a week she visits the patients, young officers who go out into the garden with her and kiss her hand and talk and flirt. She sits on a garden-bench surrounded by her young men, a big woman in black, with a long black veil, talking vivaciously, using her hands in quick, expressive gestures, patting their cheeks, leaning forward to give their hands an impulsive squeeze. When she laughs, which is often, the black line of a mustache on her upper lip makes the white of her teeth whiter still. The days when she isn't there, the convalescents flirt with the nurses. There is nothing horrible about this hospital. The patients are only slightly wounded, and wear becoming bathrobes when they lounge round.
The window-ledges of the rooms are gay with flowers. Almost always a phonograph is going, "Carmen," or "Onégin," or "Pagliacci." Sometimes, Peter and I one-step to the music on the pavement outside, and the officers and nurses crowd to the windows and clap and cry, "Encore!" Often, after sundown, when the children have gone indoors, and we go out for a walk before dinner, we see a patient with a bandage around his head, perhaps, but both arms well enough to be clasping a pretty nurse in them. They laugh and we laugh. There is no cynicism about it. It's bigger than that, it seems to me.
Into the garden come many street musicians. They play and sing, and showers of kopecks rain down from the windows. Two little girls came a few days ago. They were Tziganes, barefooted, with gay petticoats and flowered shawls and dangling earrings. Their dark hair was short and curly. One of the children played a balalaika and sang in a broken, mournful voice that did not at all belong to her age. The other—who wore the prettiest dress, yellow, with a green and purple shawl—danced like a little marionette on a string, not an expression in her pointed, brown face, but every now and then accelerating the pace of her dance, and giving sharp, high cries. Then, suddenly, they stopped in the middle of a measure, and held out their aprons for money. A window on the ground floor opened and a very pretty woman leaned out. I have seen her many times. She is Polish, the daughter of a concierge, and now the mistress of a young Cossack, who is leaving shortly for the front. She has heavy, pale-yellow hair, wound around her head in thick braids, and she wears pearls, opaque like her skin. She beckoned the little girls into her room. They went eagerly. Soon I heard them singing there.
When we were with Dr. ——, from the Red Cross hospital this afternoon, a soldier came up to us and saluted. He was a miserable-looking creature, in a uniform too big for him. His face was unshaven, his beard gray and sparse, and his eyes red and blinking and full of pain. He slouched away again in a moment, his eyes staring down at the sidewalk under his feet.