“Sacrebleu!” he shouted. “You bungler! you fool of a destroyer! It was not the hour—and the children—First I go to save them. Afterward I come to kill you, ma’am’selle.”
He was out before them all, through the entrance and down the steps, when another bomb struck. The doorway and the pillars were crushed to gravel and Monsieur Satan was hurled headlong across the gardens. In an instant he was up, stumbling frantically toward the children, his arms outstretched in appealing vindication to those small, quivering faces turned to him in their hour of annihilation. “Mes enfants, have no fear. I come—I come.”
A third bomb fell. The children were tumbled in a heap like a pile of jackstraws. Monsieur Satan had time enough to see them go down before a fourth followed with the quick precision of an automatic. Yes, he saw; and in that horror-smiting moment believed it all a part of his great scheme of destruction; then the universe went to pieces about him and something crumbled inside his brain. He stood transfixed to the earth, staring helplessly in front of him, as immovable as a graven image.
It is one of the anomalies of war that the things that apparently destroy sometimes re-create. The gigantic impact of exploding masses may destroy a man’s hearing, his sight, his memory, or his mercy, and leave him thus maimed for all time. But it happens, sometimes, that the first shock is followed by another which restores with the suddenness of a miracle and makes the man whole again. That delicate bit of human mechanism which has been battered out of place is battered in, by the merest chance.
So it was with Monsieur Satan; and when Sheila and the chief found him he was rubbing his eyes as children will who wake and find themselves in strange places. He saw only the chief at first and tried to pull himself together.
“Ah, monsieur, I think some things have happened—but I cannot as yet make the full report. I am Bertrand Fauchet, Chasseur Alpin,” and he tried to click his bandaged heel against his shoe. Then he looked beyond and saw Sheila. It was as if he was seeing her for the first time since they had separated at the French quay. “Bon Dieu! It is Ma’am’selle O’Leary.” He held out a shaking hand. “We meet in the thick of war—is it not so?”
His eyes left Sheila and traveled apprehensively to the children. They were wriggling themselves free of one another; frightened and bruised, but not hurt, barring one. The smallest of them all lay on the outskirts of the heap, quite motionless.
“If you will permit,” Monsieur Satan stumbled on and gently picked up Madeline. He looked all compassion and bewilderment. “I do not altogether understand, ma’am’selle. But this little girl, I should like to carry her to some hospital and see that all is well with her. I seem to remember that she belongs to me.” He smiled apologetically at the two watching him, then stumbled ahead with his burden.
At the base hospital they gave Sheila O’Leary full credit for the curing of Bertrand Fauchet, which, of course, she flatly denied. She laid it entirely to the interference of Fate and a child. But the important thing is that Bertrand Fauchet left the hospital a sound man—and that Madeline went with him, each holding fast to the hand of the other.
“She is mine now,” he said, as he took leave of Sheila. “Le bon Dieu saw fit to send me in the place of that other papa. Eh, p’tite?” He stroked the hair back from the little face that looked worshipfully up at him. “It is for us who remember to make these little ones forget. N’est-ce pas, ma’am’selle? And we are going back to the world together, to find somewhere the happiness and the great love for Madeline. Adieu.”