[1] From “The Nineteenth Century and After”. By permission of the Editor.
Cathedrals have risen in popular estimation. They represent the past to the small but slowly increasing number of people who now realize that there is a past out of which the present has grown. They are recognized as interesting historical monuments; their power is felt as an aid to worship, and some worshippers who would think their honesty compromised by their presence at a church or a chapel, say their prayers boldly in the “national” cathedral. A trade-union delegate, who had been present at the Congress, was surprised on the following Sunday afternoon to recognize in St. Paul’s some of his fellow delegates. No reformer would now dare to propose that cathedrals should be secularized.
But neither would any one who considers the power latent in cathedral establishments for developing the spiritual side of human nature profess himself satisfied. It is not enough that the buildings should be restored, so that they may be to-day what they were 400 or 500 years ago, nor is it enough that active deans should increase sermons and services.
A cathedral has a unique position. It holds the imagination of the people. Men who live in the prison of mean cares remember how as children their thoughts wandered free amid the lights and shadows of tombs, pillars, arches, and recesses. Worshippers face to face with real sorrow, who turn aside from the trivialities of ritual, feel that there is in the solemn grandeur a power to lift them above their cares.
A cathedral indeed attracts to itself that spiritual longing which, perhaps, more than the longing for power or for liberty, is the sign of the times. This longing, compared with rival longings, may be as small as a mustard-seed, but everywhere men are becoming conscious that things within their grasp are not the things they were made to reach. There is a heaven for which they are fitted, and which is not far from any one of them. They like to hear large words, and to move in large crowds. They see that “dreaming” is valuable as well as “doing”. They feel that there is a kinship between themselves and the hidden unknown greatness in which they live. The ideal leader of the day is a mystic who can be practical.
Men turning, therefore, from churches or chapels which are identified with narrow views, and from a ritual which has occupied the more vacant minds, are prepared to pay respect to the cathedral with its grand associations.
And the cathedrals which thus attract to themselves modern hope, and become almost the symbol of the day’s movement, are equipped to respond to the demand. They have both men and money. They have men qualified to serve, and a body of singers qualified to make common the best music, and they have endowments varying from £4000 to £10,000 a year.
A cathedral is attractive by its grandeur and its beauty, but it ought to be something more than an historic monument. Its staff is ample, and is often active, but it ought to be something more than a parish church.
Its government, however, is so hampered that it can hardly be anything else, and the energies of the chapter are spent in efforts to follow the orders of restoring architects. The building is cleared of innovations introduced by predecessors, who had in view use and not art. Its deficiencies are supplied, the dreams and intentions of the early builders are discovered, and at last a church is completed such as our ancestors would have desired.
The self-devotion of deans or canons in producing this result provokes admiration from those who in their hearts disapprove. Money is freely given, and, what is often harder to do, donations are persistently begged. The time and ability of men who have earned a reputation as workers, thinkers, or teachers, are spent in completing a monument over which antiquaries will quarrel and round which parties of visitors will be taken at 6d. a head.