There can, I think, be no doubt that it is an old troubadour lay which has been re-composed in Elizabethan times, and has since been somewhat degraded.
[18.] The Silly Old Man. A ballad that was sung by the late Rev. G. Luscombe something over half a century ago. He was curate of Bickleigh, and by ancestry belonged to a good old Devonshire family, and he was particularly fond of ancient West of England songs. Another version, from old Suey Stephens, a charwoman at Stowford; another, as sung in 1848, received from Dr. Reed in Tiverton. Miss Mason, in her "Nursery Rhymes and Country Songs," 1877, gives a slight variant, also from Devonshire.
The ballad is in Dixon's "Songs of the English Peasantry," 1846, as taken down by him from oral recitation in Yorkshire in 1845. It exists in a chap-book, under the title of "The Crafty Farmer," published in 1796. In Yorkshire the song goes by the name of "Saddle to Rags"; there, and elsewhere in the North of England, it is sung to the tune of "The Rant," better known as "How happy could I be with either." It has been published as a Scottish ballad in Maidment's "Ballads and Songs," Edinburgh, 1859. It is given in Kidson's "Traditional Tunes." The words also in "A Pedlar's Pack," by Logan, Edinburgh, 1849. The tune to which this ballad is sung in Devonshire is quite distinct.
[19.] The Months of the Year. Still a popular song among farm labourers. Three versions of the air and words were taken down—one at South Brent, one at Belstone, one at Post Bridge. The air is clearly an old dance tune. The version we preferred was that given us by J. Potter, farmer, of Merripit, Post Bridge. For like songs, see "English County Songs," p. 143, and Barrett's "Folk-Songs." Barrett has the same air as ours, but in triple time. That a similar song should be found on the Continent is not wonderful; see "Les Douze Mois de l'année" in Coussemaker: "Les Flamands de France," p. 133.
[20.] The Chimney Sweep. Taken down from J. Helmore, miller, South Brent. The first verse occurs in one of James Catnach's chap-books: "The Cries of London," circ. 1815.
The tune is possibly based on one used by the Savoyard sweeps, for Tiersot refers to one such: "Avec sa bizarre vocalise descendante, d'un accent si étrange dans sa rudesse montagnarde—
"Ramonez-ci, ramonez-là,
Sh-a-a-a-ah
La cheminée du haut en bas."
And this corresponds with the passage, "Aye and there," with its curious descent in our tune: Tiersot, "Hist. de la Chanson Populaire en France," Paris, 1889, p. 143.
[21.] The Saucy Sailor. Words and melody taken from James Parsons. A Broadside with a different ending printed by Disley, Pitts, Such & Hodges. Also Tozer's "Forty Sailors' Songs," Boosey, No. 33. The usual air to which this song is sung in Devon is of a much earlier character; but we give this as more agreeable to modern ears. Barrett gives the song in his "English Folk-Songs," No. 32, to a different tune.
[22.] Blue Muslin. Taken down, words and music, from John Woodrich, blacksmith. Muslin was introduced into England in 1670, and cork in 1690. Both are spoken of as novelties, and muslin is sung to the old form of the word, mous-el-ine.