To the best of my knowledge no portrait of her remains.
She was a fine woman, and must at one time have been handsome. It was fancied by many that her features bore a resemblance to the pictures of George IV. in his young days. The mystery relative to her mother and uncle was never solved, and it is possible enough that the supposed paternity was due to idle gossip.
There were vast collections of letters among the remains, but these were all destroyed, and nothing was allowed to transpire as to their contents.
The story from beginning to end is one of infinite sadness. It is of one with a remarkably strong but undisciplined character, one full of good impulses, who had never been taught religious duty, and given no religious belief, who was therefore condemned to waste a profitless life in a remote village, without purpose, without self-discipline, without hope, without God.
There are some interesting old farmhouses about Widdecombe; one is at Chittleford, another on Corndon. The primitive type of farm on the moor was an inclosed courtyard, entered through a gate. Opposite the gate is the dwelling-house, with a projecting porch, with an arched granite door and a mullioned window over it. On one side of the entrance is the dwelling-room, on the other the saddle and sundry chamber. The well, which is a stream of water from the moor conducted by a small leat to the house, is under cover; and the cattle-sheds open into the yard, so as to be reached with ease from the house without exposure to the storms.
These farm dwellings are rapidly disappearing, and are making way for more pretentious and extremely hideous buildings. Such as remain are remarkably picturesque, and should be photographed before they are destroyed.
Widdecombe must not be quitted without a reference to the famous ballad of the old grey mare taken there to the fair; a ballad that is immensely popular in Devon, and one to the air of which the Devon Regiment went against the Boers.
LOWER TARR