To break him of his bad habits—that is, of his dreaminess and uselessness—Mrs. Lambole took Joe to school.
At school he had a bad time of it. He could not learn the letters. He was mentally incapable of doing a subtraction sum. He sat on a bench staring at the teacher, and was unable to answer an ordinary question what the lesson was about. The school-children tormented him, the monitor scolded, and the master beat. Then little Joe Gander took to absenting himself from school. He was sent off every morning by his stepmother, but instead of going to the school he went to the cottage in the quarry, and listened to the fiddle of Roger Gale.
Little Joe got hold of an old box, and with a knife he cut holes in it; and he fashioned a bridge, and then a handle, and he strung horsehair over the latter, and made a bow, and drew very faint sounds from this improvised violin, that made the postman laugh, but which gave great pleasure to Joe. The sound that issued from his instrument was like the humming of flies, but he got distinct notes out of his strings, though the notes were faint.
After he had played truant for some time his father heard what he had done, and he beat the boy till he was like a battered apple that had been flung from the tree by a storm upon a road.
For a while Joe did not venture to the quarry except on Saturdays and Sundays. He was forbidden by his father to go to church, because the organ and the singing there drove him half crazed. When a beautiful, touching melody was played his eyes became clouded and the tears ran down his cheeks; and when the organ played the "Hallelujah Chorus," or some grand and stirring march, his eyes flashed, and his little body quivered, and he made such faces that the congregation were disturbed and the parson remonstrated with his mother. The child was clearly imbecile, and unfit to attend divine worship.
Mr. Lambole got an idea into his head, he would bring up Joe to be a butcher, and he informed Joe that he was going to place him with a gentleman of that profession in town. Joe cried. He turned sick at the sight of blood, and the smell of raw meat was abhorrent to him. But Joe's likings were of no account with his father, and he took him to the town and placed him with a butcher there. He was invested in a blue smock, and was informed that his duties would consist in taking meat about to the customers. Joe was left. It was the first time he had been from home, and he cried himself to sleep the first night, and he cried all the next day when sent around with meat on his shoulder.
Now on his journey through the streets he had to pass the window of a toy-shop. In the window were dolls and horses and little carts. For these Joe did not care, but there were also some little violins, some high priced, and some very low, and over these Joe lingered with loving, covetous eyes. There was one little fiddle to which his heart went out, that cost only three shillings and sixpence. Each day, as he passed the shop, he was drawn to it, and stood looking in, and longed daily more ardently than on the previous day for this three-and-sixpenny violin.
One day he was so lost in admiration and on the schemes he framed as to how he might eventually become possessed of the instrument, that he was unconscious of some boys stealing the meat out of the sort of trough on his shoulder in which he carried it about.
This was the climax of his misdeeds—he had been reprimanded for his blunders, delivering the wrong meat at the customers' doors; for his dilatory ways in going on his errands. The butcher could endure him no more, and sent him home to his father, who thrashed him, as his welcome.
But he carried home with him the haunting recollections of that beautiful little red fiddle, with its fine black keys. The bow, he remembered, was strung with white horsehair. Joe had now a fixed ambition—something to live for. He would be perfectly happy if he could have that three-shillings-and-sixpenny fiddle. But how were three shillings and sixpence to be earned?