"Yes."

"I should like to see it, and hear you play."

Next day was Sunday. Little Joe forgot about the day, and forgot that Miss Amory would probably be in church in the morning. She had asked to see his fiddle, so in the morning he took it and went down with it to the park. The church was within the grounds, and he had to pass it. As he went by he heard the roll of the organ and the strains of the choir. He stopped to hearken, then went up the steps of the churchyard, listening. A desire came on him to catch the air on his improvised violin, and he put it to his shoulder and drew his bow across the slender cords. The sound was very faint, so faint as to be drowned by the greater volume of the organ and the choir. Nevertheless he could hear the feeble tones close to his ear, and his heart danced at the pleasure of playing to an accompaniment, like Miss Amory. The choir, the congregation, were singing the Advent hymn to Luther's tune—

"Great God, what do I see and hear?
The end of things created."

Little Joe, playing his inaudible instrument, came creeping up the avenue, treading on the fallen yellow lime leaves, passing between the tombstones, drawn on by the solemn, beautiful music. Presently he stood in the porch, then he went on; he was unconscious of everything but the music and the joy of playing with it; he walked on softly into the church without even removing his ragged straw cap, though the squire and the squire's wife, and the rector and the reverend the Mrs. Rector, and the parish churchwarden and the rector's churchwarden, and the overseer and the waywarden, and all the farmers and their wives were present. He had forgotten about his broken cap in the delight that made the tears fill his eyes and trickle over his pale cheeks.

Then when with a shock the parson and the churchwardens saw the ragged urchin coming up the nave fiddling, with his hat on, regardless of the sacredness of the place, and above all of the sacredness of the presence of the squire, J.P. and D.L., the rector coughed very loud and looked hard at his churchwarden, Farmer Eggins, who turned red as the sun in a November fog, and rose. At the same instant the people's churchwarden rose, and both advanced upon Joe Gander from opposite sides of the church.

At the moment that they touched him the organ and the singing ceased; and it was to Joe a sudden wakening from a golden dream to a black and raw reality. He looked up with dazed face first at one man, then at the other: both their faces blazed with equal indignation; both were equally speechless with wrath. They conducted him, each holding an arm, out of the porch and down the avenue. Joe heard indistinctly behind him the droning of the rector's voice continuing the prayers. He looked back over his shoulder and saw the faces of the school-children straining after him through the open door from their places near it. On reaching the steps—there was a flight of five leading to the road—the people's churchwarden uttered a loud and disgusted "Ugh!" then with his heavy hand slapped the head of the child towards the parson's churchwarden, who with his still heavier hand boxed it back again; then the people's churchwarden gave him a blow which sent him staggering forward, and this was supplemented by a kick from the parson's churchwarden, which sent Joe Gander spinning down the five steps at once and cast him prostrate into the road, where he fell and crushed his extemporised violin.

Then the churchwardens turned, blew their noses, and re-entered the church, where they sat out the rest of the service, grateful in their hearts that they had been enabled that day to show that their office was no sinecure.

The churchwardens were unaware that in banging and kicking the little boy out of the churchyard and into the road they had flung him so that he fell with his head upon the curbstone of the footpath, which stone was of slate, and sharp. They did not find this out through the prayers, nor through the sermon. But when the whole congregation left the church they were startled to find little Joe Gander insensible, with his head cut, and a pool of blood on the footway. The squire was shocked, as were his wife and daughter, and the churchwardens were in consternation. Fortunately the squire's stables were near the church, and there was a running fountain there, so that water was procured, and the child revived.

Mrs. Amory had in the meantime hastened home and returned with a roll of diachylon plaster and a pair of small scissors. Strips of the adhesive plaster were applied to the wound, and the boy was soon sufficiently recovered to stand on his feet, when the churchwardens very considerately undertook to march him home. On reaching his cottage the churchwardens described what had taken place, painting the insult offered to the worshippers in the most hideous colours, and representing the accident of the cut as due to the violent resistance offered by the culprit to their ejectment of him. Then each pressed a half-crown into the hand of Mr. Lambole and departed to his dinner.