"I must take the cart back to Farmer Eggins," said her husband; "duty fust, and pleasure after."
When his father was gone Mrs. Lambole said, "Now then, Joe, you've been a very wicked, bad boy, and God will never forgive you for the naughtiness you have committed and the trouble to which you have put your poor father and me." She would have spoken more sharply but that his head needed her care and the sight of the blood disarmed her. Moreover, she knew that her husband would not pass over what had occurred with a reprimand. "Get off your clothes and go to bed, Joe," she said when she had readjusted the plaster. "You may take a piece of dry bread with you, and I'll see if I can't persuade your father to put off whipping of you for a day or two."
Joe began to cry.
"There," she said, "don't cry. When wicked children do wicked things they must suffer for them. It is the law of nature. And," she went on, "you ought to be that ashamed of yourself that you'd be glad for the earth to open under you and swallow you up like Korah, Dathan, and Abiram. Running away from so good and happy a home and such tender parents! But I reckon you be lost to natural affection as you be to reason."
"May I take my fiddle with me?" asked the boy.
"Oh, take your fiddle if you like," answered his mother. "Much good may it do you. Here, it is all smeared wi' blood. Let me wipe it first, or you'll mess the bedclothes with it. There," she said as she gave him the broken instrument. "Say your prayers and go to sleep; though I reckon your prayers will never reach to heaven, coming out of such a wicked unnatural heart."
So the little Gander went to his bed. The cottage had but one bedroom and a landing above the steep and narrow flight of steps that led to it from the kitchen. On this landing was a small truckle bed, on which Joe slept. He took off his clothes and stood in his little short shirt of very coarse white linen. He knelt down and said his prayers, with both his hands spread over his fiddle. Then he got into bed, and until his stepmother fetched away the benzoline lamp he examined the instrument. He saw that the bridge might be set up again with a little glue, and that fresh catgut strings might be supplied. He would take his fiddle next day to Roger Gale and ask him to help to mend it for him. He was sure Roger would take an interest in it. Roger had been mysterious of late, hinting that the time was coming when Joey would have a first-rate instrument and learn to play like a Paganini. Yes; the case of the red fiddle was not desperate.
Just then he heard the door below open, and his father's step.
"Where is the toad?" said Mr. Lambole.
Joe held his breath, and his blood ran cold. He could hear every word, every sound in the room below.