How did the builders of those days construct churches and donjons on the tops of these obelisks? The Rabbis say that an angel can pirouette on the point of a needle, but the work done here is more wonderful than that of balancing for a few minutes on an acute point, for the masons had to fill in all the rifts of the rock so as to form a terrace on which to build. They must have been let down in cradles. As to the tower, it was probably built up from within, as is done nowadays with a factory chimney. On a lower level than the doorway are the ruins of the habitation of the chaplain who served the church. He could obtain plenty of fresh air there to fill his lungs, but could not get exercise to circulate his blood, save by running up and down the stair in the face of the rock.
On the way up to the chapel may be noticed recesses cut out of the cliff. These formerly contained statues of saintly helpers in all kinds of difficult and unpleasant situations. Among these was S. Wilgefortis, a young lady with beard and moustache, much invoked by women with vexatious husbands, who wanted to be rid of them. A fine statue of her is in Henry VII.'s Chapel at Westminster. The Huguenots destroyed all these figures in the niches. They were restored and again broken up at the Revolution, but have not been reinstated.
In the same hamlet of l'Aiguilhe is a circular Romanesque chapel, called the Temple of Diana, but which is actually a structure of the twelfth century. It is now undergoing repair.
The church of St. Laurent has been given a modern gable with pinnacles to the west front out of keeping with the character of the original architecture. The western doorway was once rich, and had on it two ranges of angels, twelve in each. The Huguenots broke the figures in their hatred of everything beautiful, and mutilated the delicate foliage as well.
The church has a broad nave with narrow side aisles. It contains a carved stone organ gallery once rich with statuary, but the niches are now empty. On the north side in the aisle is the tomb of Du Guesclin, who did more than any other, except the Maid of Orléans, to drive the English out of France. Even this monument did not escape the iconoclastic rage of the Calvinists; but it has been judiciously restored.
Guyenne, Poitou, Saintonge, Perigord, Brittany had been in turn the theatre of his victories; but the war continued in Languedoc. Bands of the Free Companies desolated the Gévaudan, Auvergne, and Le Velay. The nobles and towns unassisted could not expel them, and appealed to Charles V. to send them an experienced captain who would aid them against these brigands, and he despatched thither Du Guesclin. In August, 1380, the Constable entered Le Puy, and in a few days had assembled an army. He then departed for the Gévaudan to lay siege to Châteauneuf Randon, the head-quarters of the English routiers. The Constable besieged the place, attempted to take it by assault, but failed; and he vowed that he would not withdraw till it was captured. The garrison defended themselves valiantly, but at length agreed to capitulate. Du Guesclin was suffering at the time from a mortal sickness, and he lay on his deathbed when the terms of capitulation were agreed upon.
He died on the 13th of July according to history, on the 14th as stated on his monument; and upon the day fixed for the surrender the Governor laid the keys on the coffin of the deceased Constable. Charles V. ordered the body to be transported to S. Denys; but it was first taken to the Dominican church of Saint Laurent, there to be embalmed. The intestines of the great warrior that were removed alone occupy the tomb there erected.
The recumbent statue well answers to the description he gave of himself: "Les épaules larges, le col court, la tête monstreuse; je suis fort laid, jamais je ne serai bienvenu des dames, mais saurais me faire craindre des ennemis de mon roi."
The cathedral library of Le Puy contains a copy of the Bible written by Theodulf, Bishop of Orléans (788-821), a friend of Alcuin of York. This MS. was written by his own hand whilst in prison at Angers for having been involved in the conspiracy of Bernard, King of Italy, against Louis "le Débonaire," a son of Charlemagne. On Palm Sunday the King was at Angers and rode through the streets. As he passed under the prison, Theodulf thrust his head out of the window, and at the top of his voice chanted a poem he had composed in honour of Louis. The prince drew rein and listened. Flattery, however fulsome, goes a long way. He was pleased with it, though "laid on with a trowel," and ordered the release of the Bishop. It is said that, when in captivity, Theodulf had vowed to give to the church of Le Puy the Bible he had transcribed in his dungeon.
The MS. is written partly on white vellum and partly on vellum stained purple. On the white sheets the letters are in black, with the capitals in vermilion; but on the purple pages are in silver, and the capitals in goldleaf. The cover was repaired in the reign of Francis I., the velvet of the ninth century being overlaid with velvet of the sixteenth. At the Revolution this precious relic would have been flung into the flames that consumed the Black Virgin had it not been for the richness of the cover, with its ornaments of silver-gilt and the precious stones with which it was encrusted. The text is not divided into verses, and there is no punctuation, for the use of punctuation did not become general till the tenth century. The text is that of the Vulgate as corrected by Alcuin. Several of the passages in the Vulgate as now used differ from those in the version employed by Theodulf; and the Psalter is not that of the Vulgate. The preservation of the writing is due to pieces of fine tissue having been placed between the leaves, and of these fifty-three remain, and are interesting specimens of the textures of the time of Charles the Great. The Bible has poems composed by Theodulf prefixed to and following the sacred text.