A Book of the Pyrenees

by S. Baring-Gould

Thus it appears that to the chanting of this ballad by a minstrel William went forward to the conquest of England.

One of the most popular books of the Middle Ages was the History of the Life of Charlemagne and of his Nephew Roland, which passed as the composition of Turpin, Archbishop of Rheims, a man who died about 800. It was a historical romance based on old ballads, composed in the twelfth century, and of no historic value whatsoever. Pope Callixtus II formally decided, however, in 1122, that it was veracious history.

In this book we have the fully-developed story of the defeat at Roncevaux. In it, declared by an infallible Pope to be authentic and trustworthy, we are informed that Charlemagne was eight feet high, measured by his own feet, “which were of the largest size,” that at a meal he would consume a quarter of a sheep, and if that were not at hand, then he would appease his appetite with two fowls, or a duck, a peacock, a crane, or a hare.

The army had marched into Spain, and Roland and Ganilon the Traitor had been sent forward to Saragossa on an embassage to the Soudan, who, according to the counsel of Ganilon, spake fair and consented to all Charlemagne’s demands. Consequently the host of the Franks returned through the Pyrenees, unsuspicious of evil. Charles led the van, and Roland and Oliver the rearguard. Meanwhile the Saracens had gone about by bypaths, and they suddenly appeared to intercept the march of that body of men which was under the command of Roland and Oliver. A furious fight ensued, Oliver fell, and Roland alone survived. Then he put his ivory horn to his lips and blew such a blast that Charles heard it, though many leagues away, and he knew thereby that his nephew was in danger. With the blast Roland broke a blood-vessel, and, sinking to the ground, he dashed his good sword Durandal against the rocks with intent to break it, lest it should fall into the hands of the paynim.

To this day at Roncevaux a mass is said in May above the tombs of the paladins, in the little chapel supposed to have been founded by Charlemagne, and this mass is for the repose of the souls of those who fell in the massacre of Roncevaux.

Roncevaux itself consists of a few poor huts about a monumental convent, from the midst of which rises the church with a massive square tower. The “royal and illustrious collegiate church” was considered in Spain to be the fourth in order of the holy spots on earth. The other three were Jerusalem, Rome, and Compostella. The chapter was under the special protection of the Holy See, and the King of Spain nominated the prior. This dignitary and six canons are all that remain of the ancient order of Roncevaux. Throughout the convent may be seen its badge, a cross, the middle member curved at the head like a pastoral staff, and with a sword at the feet.

Pilgrims from France, Germany, and Italy were wont to cross the Pyrenees on their way to Compostella, and many lost their lives in the snow. On this account, in 1131, the Bishop of Pampeluna founded a hospital at Roncevaux for their accommodation, and he dispatched one of the canons of his cathedral to attend to the requirements and comforts of the pilgrims. This was the origin of the convent that grew rich with the gifts of kings and princes who were lodged there. The canons of Roncevaux wear a sleeveless surplice and a black amice over their shoulders in summer, but in winter a thick black cloak and a furred hood. When they go out they wear a short linen scapular over their cassocks.

Under the tower is a Gothic hall. This, with the cloister and the church, was erected by Sanchez the Strong, King of Navarre, in the thirteenth century. He and his wife repose in the church under a marble tomb.

In this church is a Mater Dolorosa, the eyes of which are apparently full of tears. This appearance is due to the insertion of diamonds, but the ignorant peasantry are fully convinced that the eyes of the Madonna really brim with tears for their sorrows, and out of profound compassion.

Near the convent formerly stood a pillar commemorative of the defeat of Charlemagne’s rearguard, but the monument was destroyed in 1794 by two commissioners of the French Republic, to the performance of a “musique touchante.” These men headed a column called l’Infernale; it entered Spanish territory, and carried fire and sword everywhere. They pillaged the church and the convent, and wrecked all they could lay hands on.