Beside the highroad (route nationale) from Brive to Cahors, but a very little way out of the town, is a mass of red Permian sandstone perforated with caves. In 1226 S. Anthony of Padua was at Brive, and resided for a while in one of them. Since then it has been held sacred and occupied by Franciscans, who erected a convent above it; in so doing they cut into and mutilated some very ancient artificial workings in the sandstone for the contrivance of rock habitations. The cave, however, was neglected when the Franciscans were expelled at the Revolution, but they returned in 1875 and rebuilt or greatly enlarged their convent, only to be expelled again in 1906. The grottoes, now converted into chapels to the number of four, are in a line under the superstructures, that in the middle the actual hermitage. This, moreover, has been cut out of the rock artificially, at a higher level than the others, that are natural and are untenable, owing to the incessant drip of water from the roofs. The first cave is dedicated to S. Francis of Assisi, but it is a rock shelter rather than a cave. It is natural, but in one corner a small water-basin has been scooped. The second cave is mainly natural, but partly artificial; it is dedicated to Notre Dame Auxiliatrice. The third, reached by steps, is wholly artificial, and before the stairs were built to lead to it, was inaccessible save by a short ladder. It placed the occupant in safety from invasion by wolves or other objectionable visitors. It measures 21 feet by 15 feet. This, which was the habitation of S. Anthony, communicated with the two lower caves, one on each side, by lateral openings.

The fourth cave is that of Des Fontaines, in which are basins of water cut in the rock, receiving the everlasting drip from above.

It is impossible to give one tithe of the hermitages in caves that are to be seen in Europe; but a few words may be devoted to La Sainte Beaume in Var, where, according to tradition, Mary Magdalen spent the end of her days. The tradition is entirely destitute of historical basis, and rests on a misconception. Scott has described the cave with tolerable accuracy in "Anne of Geierstein," though he had not seen it himself.

The cave is in the range of cretaceous limestone that runs east and west to the north-east of Marseilles, and at La Beaume Sainte reaches the height of 3450 feet. The wild flowers, the fine forest, and the white rocks impart great interest to the visit without consideration of historical and legendary association. The botanist will find the globe flower, the anemone, the citisus, the man, the bee, the fly orchids, and the Orchis militaris in considerable abundance; also banks of scented violets.

The grotto is at a considerable height above the valley. According to the legend, as already said, Mary Magdalen spent the close of her life here, and numerous anchorites settled in the caves around. In the fifth century Cassian placed monks in the grotto, but they were driven away by the barbarians, and La Sainte Beaume fell into complete oblivion till the thirteenth century.

The cave is lofty and spacious, not a little damp, and water drips from the roof. To protect the altar a baldachin has been erected over it. At the extreme end is a raised dais of natural rock, on which the saint is supposed to have made her bed. Another cave is that of the Holy Sepulchre, which was formerly occupied by the monks of S. Cassian. From the Sainte Beaume a path leads upwards to the Saint Pilon, the highest pinnacle of the rock which here rises to a point, out of which grow wild pinks and aromatic shrubs, and where falcons make their nest. According to the legend, Mary Magdalen was elevated by the hands of angels to this point seven times a day, there to say her prayers, which proceeding surely entitles her to a place as the patroness of aviation.

At Sougé, on the Loir, a little below the troglodyte town of Trôo already described, half-way up the cliff is the cave-chapel of S. Amadou. It is 45 feet deep and 15 feet wide. The altar is at the end surmounted by a niche containing a statue of the saint, and to this formerly pilgrimages were made from all the valleys round. But this is a thing of the past, for it is now private property and converted into a cellar. What is peculiar about this chapel is that it is surrounded by a gallery also rock-hewn, and it was customary for the pilgrims to pass round the chapel through this gallery before entering it.

At Villiers, near Vendôme, is the chapel of S. Andrew, that was formerly inhabited by a hermit. It is divided into two chambers. That on the left is the chapel proper, with its altar. Above the other opening is a bas-relief of the Crucifixion. When levelling the floor of this hermitage a few years ago, so as to convert it into a commodious private dwelling, a number of skeletons were found in graves sunk in the rock.

[Illustration: Plan of the Chapel of S. Amadou.]

Montserrat is famous throughout Spain on account of its statue of the Virgin, which is supposed to have been made by S. Luke, and brought to Barcelona in the year 50 by S. Peter, which, of course, is nonsense. S. Luke never painted, and S. Peter never visited Spain. This extraordinary mountain derives its name from its saw-like appearance, Mons serratus. It consists of pudding-stone, "a strange solitary exiled peak, drifted away in the beginning of things from its brethren of the Pyrenees, and stranded in a different geological period." Mr. Bayard Taylor thus describes the summit after a two hours' climb. "Emerging from the thickets we burst suddenly upon one of the wildest and most wonderful pictures I ever beheld. A tremendous wall of rock arose in front, crowned by colossal turrets, pyramids, clubs, pillars, and ten-pin shaped masses, which were drawn singly, or in groups of incredible distinction, against the deep blue of the sky. At the foot of the rock the buildings of the monastery and the narrow gardens completely filled and almost overhung a horizontal shelf of the mountain, under which it again fell sheer away down, down into misty depths, the bottom of which was hidden from sight. In all the galleries of memory I could find nothing resembling it." [Footnote: Taylor (B.), "Byways of Europe," Lond. 1869, i. p. 23.]