"The hollow of this cutting has been raised, the banks rounded down, the roof over the door has fallen; the hand of destruction has worked back into the cave, and all evidence of the door and its whereabouts has vanished. The floor is loaded with sand and blocks fallen from the roof. The floor being so buried renders it difficult perfectly to judge of the depth of the apartment." What a habitation for a rheumatic hermit! The "sportive lines and patches" of vegetation suggest sportive tweaks and twinges of the loins.
[ILLUSTRATION: SCULPTURE IN ROYSTON CAVE]
Two miles from Repton is Anchor Church, where are the remains of a hermitage in a singular rocky bank, rising abruptly above the pastures on the verge of the Trent. "The summit is clothed with overhanging woods, forming only a portion of the high grounds, but the suddenness of the change which the scenery derives from the appearance of precipitous and broken rocks, occurring in the midst of a soft and beautiful region of pastoral luxuriance, is very striking. A curious series of chambers, communicating with each other, has been at some distant period beyond tradition excavated in that portion of the rock which is most naked and precipitous; and from this circumstance the site has been designated Anchor Church, signifying the residence of a hermit. At a distance it bears a very close resemblance to a Gothic ruin; the rude openings formed to admit light into the several cells, and the ruggedly fashioned doorway aiding, at first sight, the appearance of an artificial pile of grey antiquity. The rock is found principally to consist of rough grit-stone, and of a congeries of sand and pebbles. The Trent, which now flows at a short distance, formerly ran close under the rock, as is indicated by a dead pool of water situate near its foot, and communicating with the channel of the river.
"A tall flight of steep steps rudely fashioned of large unshapen blocks of stone, conducted to the entrance of the hermitage, and the dim light within its hoary, moss-grown, sloping walls is admitted through irregularly formed apertures, pierced through the dense body of the rock, and command magnificent views of the subjacent scenery." [Footnote: Bigsby (R.), "Historical and Topographical Description of Repton in the County of Derby," Lond. 1854.]
In the month of August 1742, when occasion arose for setting a post in a "Mercat House" at Royston in Hertfordshire in order to place a bench on it for the convenience of the market women, the men in digging struck through the eye or central hole of a millstone, laid underground, and on raising this found that it occupied the crown of a cave sixteen feet deep, as appeared by letting down a plumb line. There was a descent into it of about two feet wide, with holes cut in the chalk at equal distances, and succeeding each other like the steps of a ladder. It was accurately circular. They let a boy down, and from his report of its passing into another cavity, a slender man with a lighted candle descended, and he confirmed the report, and added that the second cave was filled with loose earth, which, however, did not quite touch the wall, which he could see to right and left.
The people now conceived the notion that a great treasure was concealed here, and some workmen were employed to enlarge the passage of descent. Then with buckets and a well-kerb, they set to work to clear it, and drew up the earth and rubbish that filled the cave. When they came to the floor of the descending passage they ran a long spit downwards and found that the earth was still loose. The vast concourse of people now became troublesome, and the workmen were obliged to postpone further operations till night.
After much time and labour had been expended, the cave was cleared, but no really scientific examination of it was made till 1852, when Mr. Beldam drew up a report concerning it, which he presented to the Royal Society of Antiquaries. The cave is bell-shaped, and from the floor to the top of the dome measures 25-1/2 feet. The bottom is not quite circular, but nearly so, and in diameter is from 17 feet to 17 feet 6 inches. A broad step surrounds it, 8 inches wide and 3 feet from the floor. About 8 feet above the floor a cornice runs round the walls cut in a reticulated or diamond pattern two feet wide. Almost all the space between the step and this cornice is occupied with sculpture, crucifixes, saints, martyrs, and subjects not easy to explain. Vestiges of red, blue, and yellow are visible in various places, and the relief of the figures has been assisted by a dark pigment. In various parts of the cave, above and below the cornice, are deep cavities or recesses of various forms and sizes, some of them oblong, and others oven-shaped, of much the same character as those found in the French caves. High up are two dates cut in the chalk, in Arabic numerals, that have been erroneously read 1347 and "Martin 1350 February 18," but these should be respectively 1547 and 1550, as Arabic numerals were not in use in England in the fourteenth century, and the name of Martin and the February are distinctly sixteenth century in character. The figure carving was not done by the same hand throughout.
Apparently the cave was originally a shaft for burial or for rubbish, and a hole in the side and floor that Dr. Stukeley took for a grave was nothing but a continuation downwards of the ancient shaft, as is proved by what has been found in it. But in mediaeval times the puticolus was enlarged and converted into a hermitage, and a hermit is known to have occupied it till the eve of the Reformation, for in the Churchwarden's book of the parish of Bassingborne, under the date 1506, is the entry, "Gyft of 20d. recd, off a Hermytt depting at Roiston in ys pysh" It is true that this entry does not absolutely fix the residence of the hermit at the cave, but it is hardly probable that there were two hermitages in so small a town.
The cave was probably filled in with earth in 1547 and 1550, when the inscribed dates were affixed. After which its existence was forgotten, and the Mercat House was erected over it before 1610. The carvings have been supposed to belong to the period of Henry II. and Richard Cur-de- Lion, but it is not possible to put them earlier than the beginning of the sixteenth century, at all events such as represent the Crucifixion. It is possible, however, that some of the kingly or knightly figures may be somewhat earlier.
Stukeley was quite convinced that the Royston cave was the oratory of the Lady Rohesia, daughter of Aubrey de Vere, who succeeded his father in 1088, but there exists no evidence that she ever lived at Royston. The place takes its name from Rohesia, daughter of Eudo Dapifer.