"Your Majesty and the Pope," replied the audacious jester.
The first wife of Thomas Killigrew was Cecilia, a daughter of Sir John Crofts, of Saxham, in Suffolk, and he was married to her on June 29th, 1636.
The weather on the wedding day was rude and boisterous, which gave rise to some lines by Thomas Carew:—
"Such should this day be; so the sun should hide
His bashful face, and let the conquering bride
Without a rivall shine, whilst he forbears
To mingle his unequall beams with hers;
Or if sometime he glance his squinting eye
Between the parting clouds, 'tis but to spye,
Not emulate her glories; so comes drest
In vayles, but as a masquer to the feast."
She brought her husband a fortune of £10,000, and a son and heir, Henry, born in April, 1637. She was buried the 5th January, 1638, in Westminster Abbey. Tom married again, when in exile, at the Hague, and his second wife was Charlotte, daughter of John van Hesse, a Dutch woman. The marriage took place 26th January, 1655, and by her he had three sons, Robert, Charles, and Thomas.
At length came the recall of Charles to England, and Tom Killigrew accompanied him in the same vessel, very lighthearted, and expectant of great things. Pepys had gone over to meet the King, and he says, May 24th, 1660: "Walking upon the decks, were persons of honour all the afternoon, among others Thomas Killigrew, a merry droll, but a gentleman of great esteem with the King, who told us many merry stories." Among them one Pepys quotes, which is profane.
Thomas Killigrew was appointed Groom of the Bedchamber, with a salary of £400 per annum, which he augmented by receiving bribes from those who were solicitous to obtain posts under the Crown, and to use his influence with the King to get them.
He had now an opportunity of producing on the London stage the plays that he had composed whilst abroad. Of these there were eight, comedies and tragi-comedies, all borrowed, none exhibiting any genuine wit, but steeped in ordure. One, The Parson's Wedding, borrowed from The Antiquary, by Shakerly Marmion, and Raw Alley, by Lord Barrey, was actually to be performed wholly by women. It has been well said by Mr. Tregellas: "We find ourselves indeed 'surrounded by foreheads of bronze, hearts like the nether millstone, and tongues set on fire of hell.' I must add that they have scarcely a sparkle of that witty wickedness which one meets with in the writings of Sir Charles Sedley."
All Killigrew's plays were printed in folio in 1644. Pepys did not see much merit in them. Of The Parson's Wedding he says: "Luellin tells me what an obscene, loose play this is, that is acted by nothing but women, at the King's House." Of Claracilla, "a poor play." Of Love at First Sight, "I find the play to be a poor thing, and so I perceive every body else do." Nor did he think much of Killigrew's conversation. He described it as "poor and frothy."