From the very superior number of the privateer's crew still remaining—thirty-eight men—whereas Captain Rogers had only fifteen available, great precautions had to be taken in securing the prisoners. They were accordingly ordered up from below, one by one, and each put in irons. Any attempt at a rescue being thus effectually guarded against, the packet proceeded, with her prize, to the port of her destination, which fortunately for the former was not far distant.
CAPTAIN W. ROGERS
This achievement reflected the highest honour upon every officer, man, and boy that was on board the Windsor Castle, but especially on Captain Rogers. Had he stayed to calculate the chances that were against him, the probability is that the privateer would have ultimately succeeded in capturing the packet, whose light carronades could have offered very little resistance at the usual distance at which vessels engage; and where any small crew, without such a coup de main—indeed, without such a leader—could never have brought the combat to a favourable issue.
For his intrepid conduct Rogers received the thanks of H.M. Postmaster-General; promotion to the rank of captain, with command of another packet, 100 guineas besides his share of the prize (although no prize allowance was usual); the freedom of the City of London; and an illuminated address, with a sword of honour, from the inhabitants of Tortola.
In London, a gentleman named Dixon, unacquainted with Rogers, sought and obtained his friendship, and then commissioned Samuel Drummond to make a picture of the action, in which the hero's full-length portrait should appear. Whilst the painting was in progress, one day Rogers ran up against a man in the street so closely resembling the officer he had shot, that he held him by the button and begged as a favour that he would allow a distinguished artist to paint his portrait. The gentleman was not a little surprised, but when Rogers informed him who he was and why he desired to have him painted, he readily consented. He was conducted to the studio, and there stood as portrait-model for the French swordsman by whom Rogers had been so nearly cut down. When completed, the painting was retained by Mr. Dixon, but it was engraved in mezzotint by Ward.
The painting in course of time passed to the first owner's grandson, Mr. James Dixon, whose daughter at his decease in 1896 became possessed of it, and presented it to the nation, and it is now in the Painted Hall at Greenwich Hospital.