He was mortar-boy to his father, and would often slip away and cut figures of men and animals on an old oak door, getting many a "lacing" for not minding his proper work. His earliest tools were nails, which he sharpened on a grinding-stone, before he had any chisels.
There was at that time no machinery for facing slate slabs; so he used an old French "burr"—i.e. part of a French millstone. Such millstones were constructed in four parts, cemented together. This "burr" he put into a rough frame of wood, and used it like a plane over the face of the slate, which was laid on a bench, or "horse." The existing examples of slabs worked in this way are most excellent, in flatness and in smoothness.
The Delabole slate had been employed for many centuries for tombstones and monuments, and lent itself surprisingly to being sculptured. In the North Cornish churches are numerous examples of monuments richly sculptured with heraldic figures of the sixteenth and seventeenth centuries, all on slate, and sharp to this day as when they left the workshop.
NEVIL NORTHEY BURNARD
From a bas-relief by the sculptor himself, in the possession of S. Pearn, Esq., Altarnon
At the age of fourteen Nevil cut a tombstone to his grandfather; that is now in Altarnon churchyard, and affords evidence of skill, artistic sense, and fineness of detail. There are other stones of his in the same churchyard; also one or two by his brother George. An old man is still alive in Altarnon who used to sharpen the nails on a grindstone for Burnard, with which he did his carving on slate.
At fifteen he left Altarnon. Wesley's head, over the porch of the old Meeting-house, Penpont, was cut by him when he was sixteen.
From Altarnon he went to Fowey, and the late Sir Charles Lemon, of Carclew, took him by the hand. At the age of sixteen he carved in slate the group of Laocoon, sent in 1834 to the Exhibition of the Royal Cornwall Polytechnic Society at Falmouth. This carving in bass-relief, executed by a boy from a wild moorland village, without instruction, copied from a wood-cut in the Penny Magazine, and with tools of his own making, was considered so very remarkable a production that the Society awarded him a silver medal. Nevil was sent to London, and through Sir Charles Lemon's influence was presented to the Queen and Prince Consort, and he was allowed to cut a profile of the Prince of Wales, then a boy, and this portrait was sent to Osborne, and was approved by the Royal parents. Sir Charles Lemon further introduced the lad to Chantrey, who secured for him employment as a carver in one of the most celebrated ateliers in London.
Burnard reproduced his profile of the Prince of Wales in marble for the Public Hall at Falmouth, and the general opinion expressed upon it was that it amply sustained the early expectation which had been formed of his talents.