When he awoke he was alone in the church. An angel had assumed his likeness, and had swept out of the minster with the court. The story then runs in the same line as that of Jovinian. Robert is unrecognised, and is at last received into the palace as court fool. At the end of three years there arrived an embassy from Valmond, the emperor, requesting Robert to join him on Maundy Thursday, at Rome, whither he proposed to go on a visit to his brother Urban. The angel welcomed the ambassadors, and departed in their company to the Holy City. We place side by side the Old English metrical description of Robert’s appearance, as he accompanied the false emperor, with the modern poet’s rendering:
Old English
The fool Robert also went,
Clothed in loathly garnement,
With fox-tails riven all about:
Men might him knowen in the rout.
An ape rode of his clothing;
So foul rode never king.
Longfellow
And lo! among the menials, in mock state,
Upon a piebald steed, with shambling gait;
His cloak of fox-tails flapping in the wind,
The solemn ape demurely perched behind,
King Robert rode, making huge merriment
In all the country towns through which they went.
Robert witnessed in sullen silence the demonstrations of affectionate regard with which the pope and emperor welcomed their supposed brother; but, at length, rushing forward, he bitterly reproached them for thus joining in an unnatural conspiracy with an usurper. This violent sally, however, was received by his brothers, and by the whole papal court, as an undoubted proof of his madness; and he now learnt for the first time the real extent of his misfortune. His stubbornness and pride gave way, and were succeeded by remorse and penitence.
After five weeks in Rome, the emperor, and the supposed king of Sicily, returned to their respective dominions, Robert being still accoutred in his fox-tails, and accompanied by his ape, whom he now ceased to consider as his inferior. When the angel was again at the capital of Sicily, he felt that his mission was accomplished.
And when once more within Palermo’s wall,
And, seated on the throne in his great hall,
He heard the Angelus from the convent towers,
As if a better world conversed with ours,
He beckoned to King Robert to draw nigher,
And, with a gesture, bade the rest retire;
And when they were alone, the Angel said,
‘Art thou the king?’ Then, bowing down his head,
King Robert crossed both hands upon his breast,
And meekly answered him: ‘Thou knowest best!
My sins as scarlet are; let me go hence,
And in some cloister’s school of penitence,
Across those stones that pave the way to heaven
Walk barefoot, till my guilty soul is shriven!’
The Angel smiled, and from his radiant face
A holy light illumined all the place,
And through the open window, loud and clear,
They heard the monks chant in the chapel near,
Above the stir and tumult of the street:
‘He has put down the mighty from their seat,
And has exalted them of low degree!’
And through the chant a second melody
Rose like the throbbing of a single string,
‘I am an angel, and thou art the king!’
King Robert, who was standing near the throne,
Lifted his eyes, and lo! he was alone!
But all apparelled as in days of old,
With ermined mantle, and with cloth of gold;
And when his courtiers came they found him there,
Kneeling upon the floor, absorbed in silent prayer.
We think it would be scarcely possible to find a more pointed illustration of the purifying, humanising, and refining nature of Christianity, than to observe the course pursued by this story. Among Buddhists the false king is vivified by a crafty rogue’s infused soul; among Jews he is a transformed devil; but among Christians he is an angel of light.