At Dresden, she favoured the arts, especially music and painting. She became the patroness of the family Mengs. She sang, and played on the piano, and indeed composed a couple of operas, "Thalestris" and "Il trionfo della fidelita," and the former was actually put on the stage. Sir Charles Williams in 1747 wrote that, in spite of her profession that in her eyes no woman ought to meddle in the affairs of state, he ventured to prophecy, she would rule the whole land in the name of her unfortunate husband.
Nor was he wrong. The moment that her father-in-law died, she put her hand on the reins. She was not likely to meet with resistance from her husband, he was not merely a cripple in body, but was contracted in his intellect; he was amiable, but weak and ignorant. Sir Charles Williams says that he once asked at table whether it was not possible to reach England by land—although it was an island.
Frederick Christian began to reign on 5th October 1763, and immediately orders were given for the increase of the army to 50,000 men. Maria Antonia was bent on becoming a queen, and for this end she must get her husband proclaimed like his father, King of Poland. She was allied to all the Courts of Europe, her agreeable manners, her energy, gained her friends in all quarters. She felt herself quite capable of wearing a royal crown, and she wrote to all the courts to urge the claims of her husband, the Elector, when—the unfortunate cripple was attacked by small-pox, had a stroke, and died December 17th. Small-pox had carried off his ancestor John George IV., and in that same century it occasioned the death of his brother-in-law, Max Joseph of Bavaria, and of the Emperor Joseph I.
He left behind him four sons, his successor, Frederick Augustus, and the three other princes, Charles, his mother's favourite, Anthony, and Maximilian Joseph, the third of whom died the same year as his father. He had also two daughters.
The death of her husband was a severe blow to the ambition of the Electress; her eldest son, Frederick Augustus, was under age, and the reins of government were snatched from her hands and put into those of the uncle of the young Elector, Xavier, who had been his mother's favourite, and in favour of whom his elder brother had been urged to resign his pretensions. Xavier was appointed administrator of Saxony, and acted as such for five years.
When, at the age of eighteen, Frederick Augustus III. assumed the power, he endeavoured to fulfil his duties with great diligence and conscientiousness, and allowed of no interference. He had, indeed, his advisers, but these were men whom he selected for himself from among those who had been well tried and who had proved themselves trusty.
The Electress-mother had, during the administration of Prince Xavier, exercised some little authority; she now suddenly found herself deprived of every shred. Her son was too firm and self-determined to admit of her interference. Moody and dissatisfied, she left Dresden and went to Potsdam to Frederick II., in 1769, apparently to feel the way towards the execution of a plan that was already forming in her restless brain. She does not seem to have met with any encouragement, and she then started for Italy, where she visited Rome in 1772, and sought Mengs out, whose artistic talents had been fostered under her care.
Under the administration of Prince Xavier, the Electress Dowager had received an income of sixty thousand dollars; after her son had mounted the throne, her appanage was doubled, more than doubled, for she was granted 130,000 dollars, and in addition her son gave her a present of 500,000 dollars. This did not satisfy her, for she had no notion of cutting her coat according to her cloth, she would everywhere maintain a splendid court. Moreover, she was bitten with the fever of speculation. The year before her son came of age and assumed the power, she had erected a great cotton factory at Grossenhain, but as it brought her in no revenue, and cost her money besides, she was glad to dispose of it in 1774. The visitor to Dresden almost certainly knows the Bavarian tavern at the end of the bridge leading into Little Dresden. It is a tavern now mediævalised, with panelled walls, bull's eye glass in the windows, old German glass and pottery—even an old German kalendar hanging from the walls, and with a couple of pretty Bavarian Kellnerins in costume, to wait on the visitor. There also in the evening Bavarian minstrels jodel, and play the zither.
This Bavarian tavern was established by the Electress Mother, who thought that the Saxons did not drink good or enough beer, and must be supplied with that brewed in her native land.
But this speculation also failed, and her capital of five hundred thousand dollars was swallowed up to the last farthing, and to meet her creditors she was obliged to pawn her diamond necklace and the rest of her jewels. This happened in Genoa. When her allowance came in again she redeemed her jewelry, but in 1775 had to pawn it again in Rome. Unable to pay her debts, and in distress for money, she appealed repeatedly, but in vain, to her son.