To revert to the old life as far as possible under changed circumstances, to pass a sponge over a terrible succession of pictures, to brush out the vision of horrors from her eyes, and shake the burden of the past off her head—if for a while only—was a joy to Judith. She had been oppressed with nightmare, and now the night was over, her brain clear, and should forget its dreams.
She and Jamie were together, and were children once more; her anxiety for her brother was allayed, and she had broken finally with Cruel Coppinger. Her heart bounded with relief. Jamie was simple and docile as of old; and she rambled with him through the lanes, along the shore, upon the downs, avoiding only one tract of common and one cove.
A child’s heart is elastic; eternal droopings it cannot bear. Beaten down, bruised and draggled by the storm, it springs up when the sun shines, and laughs into flower. It is no eucalyptus that ever hangs its leaves; it is a sensitive plant, wincing, closing, at a trifle, feeling acutely, but not for long.
And now Judith had got an idea into her head, that she communicated to Jamie, and her sanguine anticipations kindled his torpid mind. She had resolved to make little shell baskets and other chimney ornaments, not out of the marine shells cast up by the sea, for on that coast none came ashore whole, but out of the myriad snail-shells that strew the downs. They were of all sizes, from a pin’s head to a gooseberry, and of various colors—salmon-pink, sulphur-yellow, rich brown and pure white. By judicious arrangement of sizes and of colors, with a little gum on cardboard, what wonderful erections might be made, certain to charm the money out of the pocket, and bring in a little fortune to the twins.
“And then,” said Jamie, “I can build a linney, and rent a paddock, and keep my Neddy at Polzeath.”
“And,” said Judith, “we need be no longer a burden to Auntie.”
The climax of constructive genius would be exhibited in the formation of a shepherd and shepherdess, for which Judith was to paint faces and hands; but their hats, their garments, their shoes, were to be made of shells. The shepherdess was to have a basket on her arm, and in this basket were to be flowers, not made out of complete shells, but out of particles of sea-shells of rainbow colors.
What laughter, what exultation there was over the shepherd and shepherdess! How in imagination they surpassed the fascinations of Dresden china figures. And the price at which they were to be sold was settled. Nothing under a pound would be accepted, and that would be inadequate to represent the value of such a monument of skill and patience! The shepherd and shepherdess would have to be kept under glass bells, on a drawing-room mantel-shelf.
Judith’s life had hitherto been passed between her thoughtful, cultured father and her thoughtless, infantile brother. In some particulars she was old for her age, but in others she was younger than her years. As the companion of her father, she had gained powers of reasoning, a calmness in judging, and a shrewdness of sense which is unusual in a girl of eighteen. But as also the associate of Jamie in his play, she had a childish delight in the simplest amusements, and a readiness to shake off all serious thought and fretting care in an instant, and to accommodate herself to the simplicity of her brother.
Thus—a child with a child—Judith and Jamie were on the common one windy, showery day, collecting shells, laughing, chattering, rejoicing over choice snail-shells, as though neither had passed through a wave of trouble, as though life lay serene before them.