‘To say that a book is by the author of “Mehalah” is to imply that it contains a story cast on strong lines, containing dramatic possibilities, vivid and sympathetic descriptions of Nature, and a wealth of ingenious imagery.’—Speaker.
‘That whatever Mr. Baring Gould writes is well worth reading, is a conclusion that may be very generally accepted. His views of life are fresh and vigorous, his language pointed and characteristic, the incidents of which he makes use are striking and original, his characters are life-like, and though somewhat exceptional people, are drawn and coloured with artistic force. Add to this that his descriptions of scenes and scenery are painted with the loving eyes and skilled hands of a master of his art, that he is always fresh and never dull, and under such conditions it is no wonder that readers have gained confidence both in his power of amusing and satisfying them, and that year by year his popularity widens.’—Court Circular.
SIX SHILLINGS EACH
- IN THE ROAR OF THE SEA: A Tale of the Cornish Coast.
- MRS. CURGENVEN OF CURGENVEN.
- CHEAP JACK ZITA.
- THE QUEEN OF LOVE.
THREE SHILLINGS AND SIXPENCE EACH
- ARMINELL: A Social Romance.
- URITH: A Story of Dartmoor.
- MARGERY OF QUETHER, and other Stories.
- JACQUETTA, and other Stories.
Fiction
SIX SHILLING NOVELS
Corelli. BARABBAS: A DREAM OF THE WORLD’S TRAGEDY. By Marie Corelli, Author of ‘A Romance of Two Worlds,’ ‘Vendetta,’ etc. Eleventh Edition. Crown 8vo. 6s.
Miss Corelli’s new romance has been received with much disapprobation by the secular papers, and with warm welcome by the religious papers. By the former she has been accused of blasphemy and bad taste; ‘a gory nightmare’; ‘a hideous travesty’; ‘grotesque vulgarisation’; ‘unworthy of criticism’; ‘vulgar redundancy’; ‘sickening details’—these are some of the secular flowers of speech. On the other hand, the ‘Guardian’ praises ‘the dignity of its conceptions, the reserve round the Central Figure, the fine imagery of the scene and circumstance, so much that is elevating and devout’; the ‘Illustrated Church News’ styles the book ‘reverent and artistic, broad based on the rock of our common nature, and appealing to what is best in it’; the ‘Christian World’ says it is written ‘by one who has more than conventional reverence, who has tried to tell the story that it may be read again with open and attentive eyes’; the ‘Church of England Pulpit’ welcomes ‘a book which teems with faith without any appearance of irreverence.’