Now this may be accidental, but if so, it is a very curious and remarkable accident. Noticing it in other cases, I have sometimes wondered whether there may be in it more than accident. The old Norsemen believed that by calling a child after a certain great man, some of that great man's luck and spiritual force passed with his name to the child. The idea among Roman Catholic parents of giving their offspring the names of saints is, that they put the children under the special patronage, influence, and tutelage of the saint after whom they are called. Now—is there in these ideas anything more than a fancy, a delusion, a superstition? Is it possible that a mysterious effluence should pass from the spirit of the departed to the child that reproduces his or her name, and that this effluence should affect, modify, and impress the features and character of the child?

It is remarkable the way in which tricks perpetuate themselves. I know some one who, when a boy, had to be broken of the absurd habit of slapping the sole of his right boot with his right hand every now and then behind his back, as he walked. An old aunt saw him do this one day, and she said, "How odd! we had a world of trouble with his father when he was a child—about this very thing."

Lady Northcote (Jacquetta Baring). Lady Young (Emily Baring).

I may, in connection with this, mention a personal matter. My paternal grandfather's sister, Jacquetta Baring, married Sir Stafford Northcote, in 1791; she was the grandmother of the late Lord Iddesleigh, who was, accordingly, my cousin, but whom I never met. One day I was with one of his sons, who, whilst in conversation with me, laughed, and then said, "Excuse me, but there are many little ways you have, both of turn of the head and movements of the hand, that bring my father continually before my mind whilst you are speaking with me."

These little tricks of manner are therefore not personal, are not the result of association and imitation, but travel through the blood.

But to return to family portraits. That, in spite of the influx of fresh blood from all quarters, a certain family type remains, one can hardly doubt in looking through a genuine series of family pictures. I knew a case of an artist who had been employed in a certain house, where he had become familiar with the family portraits, which he had cleaned, relined and restored. Some of the early pictures of the family had been lost, in fact sold, by a spendthrift—another Charles Surface—who did not shrink from disposing of his mother's picture by Sir Joshua Reynolds. The head of the family knew where some two or three of these pictures had gone; they had been bought by a family akin to his, and the representative of that family very kindly acceded to his request that he might have them copied. The artist was sent to that gentleman's house to do what was desired. He was introduced into the dining-room, where hung over a score of portraits, but he went directly to the two which belonged to the family whose paintings he had cleaned, singled them out from the rest, and said, "These I am sure belong to the X—s. I know the type of face." He was right; he had spotted the only two which were not pictures of the A family, but were of the family X.

The delight of watching the re-emergence of a disappeared family likeness, as generations pass, is, no doubt, the chief delight of having a good series of family pictures. But there is an advantage in such a series which is not perhaps much considered, and that is the linking of the present generation in thought with the past. Since, with the Reformation, prayer for the dead ceased, our association with the world of the departed has fallen into total disregard, and we neither think of holding any communion of thought and good-will with our forebears, nor suppose that they can entertain any kindly thought of and wishes for us and our welfare. And yet, how much we owe them! Our beautiful estates, our dear old houses, the laying out of the parks and grounds, the cutting of the terraces, the digging of the ponds, the planting of the stately trees, the gathering together of our plate, our books, our pictures, our old furniture. Nay, more, if we have not inherited these, we have from them some twists in our mind, some terms in our speech, some physical or psychical characteristics, some virtues and some faults.