Another sacred painting of Christ by S. Luke is in the possession of the Benedictines of Vallombrosa. This portrait is certainly of very great antiquity, and is in tempora on a panel of cypress wood. The features are strongly emphasized, the face long, the eyes large and bright, with eyelids drooping, and arched brows.
Another sacred picture is that given by S. Peter to the Senator Pudens, which is exhibited on Easter Day, in the monastery of S. Praxedes. The story goes that it was sketched by S. Peter for the daughters of Pudens, one evening at supper, on the napkin of Praxedes.
It will be remembered that when Christ was laid in the tomb, His body was wrapped in fine linen, and a linen napkin was on his face. These relics are said to be preserved at Besançon and Turin. The Turin linen shows the bloodstained outline of the Saviour's body; that at Besançon is marked with the ointments. The features are impressed on the napkin, and are of the Byzantine type.
A crucifix, by Nicodemus, is exhibited in the cathedral of Lucca. Another portrait is the Nazaræum, which is certainly of considerable antiquity, and is probably the earliest extant copy of the famous Edessa picture. It is in the Latin convent at Nazareth. This picture is engraved in Abraham Norow's travels in Palestine. (S. Petersburg, 1844).
Let us now turn to the literary sketches of the portrait of our Lord which have descended to us.
S. Jerome, (d. 420), says that in the face and eyes of Christ there was something heavenly, so that from their glory and majesty the hidden Godhead flashed forth. S. John of Damascus, (d. about 760), in his letter to the Emperor Theophilus, says, "Christ was tall and stately, had brows uniting over the nose, beautiful eyes, a large nose, curled hair, and a black beard. His hair was a gold-brown, like wheat, resembling that of his mother, and his head was bowed somewhat forward."
The next, and more precise account is that of the apocryphal letter of Lentulus, (who is supposed to have lived at the time of Christ, and to have been about the person of Pilate, to the Roman senate,) which is said to have been extracted from the Roman annals by a certain Eutropius. This first appears in the writings of S. Anselm, (d. 1107). "He is a man of tall stature, comely, having a venerable countenance, which those beholding must love or fear. His hair is waving and curled, rolling to his shoulders, having a parting in the middle of the head, after the manner of the Nazarenes, a brow smooth and serene, a face without wrinkle or blemish of any kind, rendered beautiful by a moderate colour. There is no fault to be found with the nose and mouth; he has a full and red beard, the colour of his locks, not long, but forked, and eyes bright and changeable." Another version of this letter adds that the hair was the colour of the hazel-nut, the eyes greyish-blue, and full of light. "His hands and arms are beautiful. He is terrible in reprehension, but mild and full of love in instruction; cheerful, but with steadfast earnestness. No one ever saw Him laugh, but often has He been seen to weep. Precise and modest in his speech, he is in all perfect, and the fairest of the sons of men."
But the most precise and complete account is that of Nicephorus Callistus, (fl. 1330). His description is as follows:—"He was beautiful in body, his height seven complete spans, his hair was yellowish, not bushy, and at the ends somewhat curled. His eyebrows were black, only a little arched, and without break; his eyes were hazel, of that description called bright-eyed, not dim, in no way misformed, not wandering. His nose was prominent, his beard reddish, not profuse, but the hair of his head was abundant, for never had razor or hand of man shorn it. His neck was somewhat bent, so that he did not walk perfectly upright; the colour of his face was a yellow-brown, like ripe wheat; his face was not round, nor pointed, but, like his mother's, a little drooping, and slightly blushing. His very countenance indicated a man of intelligence, with manners grave, calm, and removed from anger. In all things, he was like his most pure mother."
And this is the account of S. Mary given by Nicephorus:—"Mary was in everything modest and earnest; she spake little, and then only about necessaries; she was very courteous, and rendered to all honour and respect. She was of middle stature, though some assert her to have been somewhat taller. She spake to all with an engaging frankness, without laughing, without embarrassment, and especially without rancour. She had a pale tint, light hair, piercing eyes, with yellowish olive-coloured pupils. Her brows were arched and black, her nose moderately long, her lips fresh, and full of amiability when speaking; her face not round or pointed, but longish; hands and fingers fairly long. Finally, she was without pride, simple, and without guile; she had no insipidity about her, but was unassuming. In her dress she was fond of the natural colour; in short, there was in all her ways divine grace."[15]