A COTTAGE PIANO.

Mr. Pennycomequick had but just reached the hut of the keeper of the locks when he saw a great wave rushing down on him. It extended across the valley from bank to bank, it overswept the raised sides of canal and river, and confounded both together, and, as if impelled by the antagonism of modern socialism against every demarcation of property, caused the hedges of the several fields and bounding walls to disappear, engulfed or overthrown.

The hut was but seven feet high on one side and six on the other, and was small—a square brick structure with a door on one side and a wooden bench on that toward the locks. Unfortunately the hut had been run up on such economical principles that the bricks were set on their narrow sides, instead of being superimposed on their broad sides, and thus made a wall of but two and a half inches thick, ill-calculated to resist the impetus of a flood of water, but serviceable enough for the purpose for which designed—a shelter against weather. It was roofed with sandstone slate at a slight incline. Fortunately the door looked to the east, so that the current did not enter and exert its accumulated strength against the walls to drive them outwards. The door had been so placed because the west wind was that which brought most rain on its wings.

Jeremiah put a foot on the bench, and with an alacrity to which he had long been a stranger, heaved himself upon the roof of the shelter, not before the water had smitten it and swirled about the base and foamed over his feet. Had he not clung to the roof, he would have been swept away. To the west the darkness remained piled up, dense and undiluted, as though the clouds there contained in them another forty-eight hours of rain. A very Pelion piled on Ossa seemed to occupy the horizon, but above this the vault became gradually clearer, and the crescent moon poured down more abundant light, though that was not in itself considerable.

By this light Jeremiah could see how widespread the inundation was, how it now filled the trough of the Keld, just as it must have filled it in the remote prehistoric age, when the western hills were sealed in ice, and sent their frosty waters burdened with icebergs down the valleys they had scooped out, and over rocks which they furrowed in their passage.

Jeremiah looked at the lock-keeper's cottage, not any longer as a possible place of refuge, but out of compassion for the unfortunate man who was in it. Not a sound issued thence; not a light gave token that he had been roused in time to effect his escape, if only to the roof. Probably, almost certainly, he and his wife were floating as corpses in their little room on the ground floor.

Away on the ridge to the north, yellow lights were twinkling, and thence came sounds of life. The steam calls had ceased to shrill; they had done their work. No one slept in Mergatroyd—no one in all the towns, villages, and hamlets down the valley of the Keld—any more that night, save those who, smothered by the water, slept to wake no more.

Hard by the lock, growing out of the enbankment, stood a Lombardy poplar. The sudden blast of wind accompanying the water had twisted and snapped it, but had not wholly severed the top from the stump. It clung to this, attached by ligaments of bark and fibres of wood. The stream caught at the broken tree-top that trailed on the causeway, shook it impatiently, dragged it along with it, ripped more of the nerves that fastened it, and seemed intent on carrying it wholly away.

Notwithstanding his danger and extreme discomfort, with his boots full of water, Jeremiah was unable to withdraw his eyes for long from the broken tree, the top of which whipped the base of his place of refuge; for he calculated whether, in the event of the water undermining the hut, he could reach the stump along the precarious bridge of the broken top.

But other objects presented themselves, gliding past, to distract his mind from the tree. By the wan and straggling light he saw that various articles of an uncertain nature were being whirled past; and the very uncertainty as to what they were gave scope to the imagination to invest them with horror.