CHARLECOTE GREAT HALL.
whose son, Roger, (23rd Henry I.), gave half a hide of land lying in Cherlecote, with the tithes of the whole lordship, and “two mills” to his newly founded Collegiate Church of Warwick. He also enfeoffed Thurlestane de Montfort of large possessions in this county, whose son, Henry, with Alice de Harecourt, the widow of Robert de Montfort, his elder brother, gave all the village of Cherlecote to Walter the son of Thurlestane de Cherlecote, which grant was confirmed to him and his heirs by letters patent from Richard the First, with divers immunities and privileges thereto: all of which were ratified by King John, in the fifth year of his reign. From this Walter de Cherlecote (who was a knight), by Cecily, his wife, descended William, who assumed the name of Lucy, she perhaps being heir to some branch of that family.
Our space may be better occupied than in carrying their history from this remote age to the present day.
The Mansion was erected in 1558, by Thomas Lucy, who, in 1593, was knighted by
Queen Elizabeth. It stands at a short distance from, and at some little elevation above, the river Avon. The building occupies three sides of a quadrangle, the fourth being formed by a handsome central Gatehouse, which, with its octangular turrets and oriel window, constitutes an interesting portion of the façade, and as seen in the accompanying view, backed out by the Mansion and connected by the terrace wings, presents a very pleasing and picturesque appearance. The House retains its gables and angular towers, but has suffered from the introduction of the large and heavy sash-windows of the time of William III., or George I. The entrance porch runs the whole height of the building, and is ornamented by pilasters and a pierced parapet, having over the arched entrance the family arms and the crest at each angle. From this porch or loggia, you enter the Hall, of which Washington Irving in the “Sketch-book” gives a graphic description as it existed at the period of his visit. The present apartment, however, forms a portion of the extensive alterations and additions carried into effect by the refined taste of the late Mr. Lucy. The “Gallery” and “Organ” are gone, but the large and lofty proportions of the room, as also the huge Bay Window, are preserved. The interior—of which we have given an engraving—will convey an accurate idea of this fine Hall. In the centre, on a highly polished marble floor, stands a most elaborate and splendid table, purchased at the price of 1500 guineas from the late Mr. Beckford’s collection at Fonthill, composed of lapis lazuli, jasper, &c., intermixed with the rarest marble: it is a worthy rival to that at Warwick Castle. The room contains many family portraits—the most interesting of the collection being one which represents Sir Thomas, his lady, and his children, painted by Cornelius Jansen.[60]
The Fire-place is modern, but of Elizabethan design, and finely carved. Above are busts of Sir Thomas Lucy the elder, and his son, and in the centre is one of Queen Elizabeth. The chairs, tables, &c., are all handsome, and strictly according in style with the Hall, which is connected by folding-doors with a fine oak staircase. The new apartments consist of a dining-room and drawing-room, serving also as a library.
From the House we cross the quadrangle. This is laid out as an ornamental flower-garden, with very charming effect. From thence the Park is entered, which is agreeably diversified by hill and dale, wood and water. The Avon winds its way irregularly through the plain, while ever and anon the “careless herd” come sweeping by, calling up involuntarily to the mind remembrances of the “melancholy Jaques” and his sad musings, as, in “the forest of Arden,”
“he lay along
Under an oak, whose antique root peeps out
Upon the brook that brawls along the wood.”