new race of Aldermen, unaccustomed to privations, it was bricked and plastered in. Here then, until within the last few years, was justice ministered openly as in the most ancient times, when a broad tree not unfrequently formed the sole shelter for judge and people. Down to a comparatively late period the law courts were thus held both in Guildhall and Westminster-hall, in London. In a much earlier age Parliament was similarly seated; Richard II. erected for the Members a temporary wooden house, while rebuilding Westminster-hall; and this house was open on all sides to the weather and to all men; the members being protected by 4,000 Archers placed around them by the King—“to secure freedom of debate,” as Pennant slily remarks. Such open meeting-houses were by no means uncommon in the olden time; the Godmanchester Court-house is interesting as the last remaining relic of the custom. Another valuable relic of antiquity we found in the Church of Godmanchester; chained to the pulpit was a poor-box formed of oak strongly banded with iron. We thought it desirable to preserve a copy of it, which we have given above.
Hinchinbrook, as we have stated, passed from the family of Cromwell to that of Montagu; having been purchased by Sir Sydney Montagu, in 1627. It is the present
seat and residence of his lineal descendant, John William, the seventh Earl of Sandwich—a family ennobled by talent and bravery, but also by remote and honourable descent. Although the venerable structure has undergone sundry changes, chiefly the consequence of a fire which consumed a considerable portion of it in 1828, it retains much of its original character. The court-yard, reached through a winding avenue of trees, is entered through a singularly picturesque gate-way, which forms the subject of the appended engraving. It is built of stone, embellished and carved with more than ordinary skill. The gates are of thick oak; there are two—one to open and give admission to carriages, the other to foot passengers, who are protected by a solid balustrade, also of oak.[38]
The exterior, as we have intimated, has been considerably impaired by fire; and sufficient care does not appear to have been taken with its subsequent restoration. Notwithstanding, it continues to “display in its parts the architectural taste of the earliest as well as of the latest period of Queen Elizabeth’s reign, possessing the irregularity of design peculiar to the era.” The bay-windows are profusely embellished with shields of the family of Cromwell, the arms of Queen Elizabeth, and “a variety of heraldic cognizances denoting the honours of the Tudor line,—the falcon, the portcullis, a ton with a branch, and roses of different forms, which are upon the upper cornice of each window.” The interior has been almost entirely modernized; but the “furnishing” is in good taste, and is made to harmonize as nearly as possible with the era in which the fame of the venerable structure was achieved. The walls are covered with family portraits—principally the “living likenesses” of Lely. The library is of oak—richly and elaborately carved by the hand of some great old master.
