| THE PITT PRESS BUILDING | [FRONTISPIECE] |
| (From a water-colour attributed to R. B. Harraden) |
| | PAGE |
| PART OF HAMOND'S PLAN OF CAMBRIDGE, 1592 | [6] |
| A PAGE FROM HENRICI BULLOCI ORATIO, THE FIRST CAMBRIDGE BOOK | [9] |
| TITLE-PAGE OF THE SECOND CAMBRIDGE BOOK | FACING | [10] |
| TITLE-PAGE OF FISHER'S SERMON | FACING | [13] |
| TRADE-MARK OF JOHN SIBERCH | [14] |
| ORNAMENT USED BY THOMAS THOMAS | [29] |
| PETITION OF THE UNIVERSITY TO JAMES I, 1621 | [37] |
| THE REPLY TO THE PETITION | [39] |
| PRINTING HOUSE OF THOMAS BUCK | FACING | [50] |
| (Cole MSS. xliii. 260) |
| TITLE-PAGE OF THE FIRST CAMBRIDGE EDITION OF THE AUTHORISED VERSION | FACING | [54] |
| TITLE-PAGE OF THE TEMPLE, 1633 | [57] |
| A PAGE OF LYCIDAS WITH CORRECTIONS IN MILTON'S HAND | [59] |
| ORNAMENT USED BY BUCK AND DANIEL | [61] |
| IMPRIMATUR FOR A BIBLE, 1662 | [66] |
| ALMANACK, 1675 | [71] |
| RICHARD BENTLEY | FACING | [74] |
| (From the portrait in the Master's Lodge, Trinity College) |
| TITLE-PAGE OF BENTLEY'S EDITION OF HORACE, 1711 | [83] |
| KUSTER'S RECEIPT FOR A PORTION OF HIS FEE | [90] |
| A COMPOSITOR'S RECEIPT, 1705 | [93] |
| TITLE-PAGE OF CHRISTIAN MORALS, 1716 | [94] |
| TITLE-PAGE OF BENTLEY'S BOYLE LECTURES, 1735 | FACING | [99] |
| JOHN BASKERVILLE | FACING | [106] |
| (From an engraving, after the portrait by Miller, reproduced in Straus and Dent's John Baskerville) |
| A PAGE OF BASKERVILLE'S PRAYER-BOOK, 1762 | [110] |
| RIVINGTON'S ACCOUNT WITH THE UNIVERSITY PRESS, 1767 | [114] |
| THE SENATE HOUSE, THE NEW LIBRARY, AND ST MARY'S CHURCH | [119] |
| (From Cantabrigia Depicta, 1763) |
| A PAGE FROM ISAAC MILNER'S NOTE-BOOK, 1800 | [121] |
| PLAN OF THE PRESS BUILDINGS | FACING | [128] |