September, 1877.​--​The Swiss have almost as much love for music as the Italians, though they have no composers of great reputation. Every city, town, and hamlet has its Music Guilds and clubs. The whole male population seems to sing. There are many fine instrumental performers among the women, but few good singers. The male bird is the vocalist here. Zurich is a center for great concerts, oratorios, etc., where Europe’s greatest artists appear. The “Tonhalle” orchestra is one of the best in Europe. These are the men who first rehearsed and played Wagner’s earlier operas. Seven years of Wagner’s life were spent in Zurich, in exile. The people here still talk of his singular ways as a citizen. Zurich was then, as now, a Wagner-music loving place, even at a time when London and Paris would not listen to a Wagner opera.

My friend here, Schulz-Beuthen, himself a composer, is the happy possessor of Wagner’s old piano, at which he composed some of his immortal works.

Wagner was poor when in Zurich, and lived by writing musical criticisms. For his own music, there was no sale. He had one or two rich friends here, however, notably the Wiesendoncks and the Willis, who encouraged not only his music, but a most singular method he had of getting rid of debts. It was a pretty way he had of calling on these opulent friends and, by the merest accident, leaving his grocer’s, tailor’s or hostler’s bills lying on the drawing-room table. His kind friends naturally discovered the missives, and quietly paid them. It was a little joke whispered about that the number of Wagner’s calls at rich men’s houses was entirely numbered by the bills he was owing. All the same, he had rather good times by the beautiful lake.

Dr. Willi had Wagner one whole season at his lakeside home. Just across the lake was the villa of the Wiesendoncks, and Wagner kept a little boat very busy, carrying his operatic “Motives” back and forth between his kind musical patrons.

Every now and then the “Tonhalle” has a red letter day. It is when artists like Sarasate play the violin, or when Franz Liszt or Rubinstein is at the piano.

Last week Franz Liszt was here. It was a great occasion, though not his first visit. At the close of the afternoon concert, I noticed many of the ladies gathered about him to have him kiss them, as he stood down in an aisle among the seats, holding an impromptu reception. Pretty soon they had him seated. They could get at him better that way. The men had little chance that afternoon, though in the evening I was one of those who had the honor of being presented to him. He received me very kindly, and spoke of certain clever Americans who had been pupils of his.

I had had a glimpse of him the morning before. Being an early riser, I was, as usual, down walking by the lake, near to the celebrated Baur-au-lac hotel. I happened to glance toward a window of the hotel that I heard open. I saw an astounding looking figure in a white night dress, leaning far out of the window, looking at the mountains. It was a great, smooth, ash-colored face that might have represented Charity in marble, set in a frame of long, white, silken hair. I knew from pictures that it was Franz Liszt, and so stopped and gazed.

I never saw so striking a picture of a human being before. His figure in its loose gown nearly filled the window. His great eyes seemed to be shining a “good morning” to the lake and the mountains. It was the face of genius, illuminated and happy by the beauty of the morning and the glory of the scene.

I should like to have heard Franz Liszt sit down and improvise a fantasia at the piano, the moment he left that window. I am sure there would have been tones born of the morning, for his whole face reflected the powerful emotion within him. I wondered to myself that evening, when he was holding the vast audience in the charm of his music, if he were not thinking of that fair scene from his window in the morning.

When the concert was over the other night, a few friends gathered with Franz Liszt in a little back room of the “Tonhalle.” There was a little dinner and much champagne. And there was much bowing and kissing and getting down before this king of the piano. Men and women absolutely got down on their knees and kissed his hand, as if he were an object of adoration.