The next morning when my tent comrades were out of doors shivering over a little fire I remained in our little heap of straw, and completed the verses.
I went out to the fire and read them to my comrades. A Lieutenant Rockwell happened to be present and asked permission to make a copy of the verses. He, with many others, slept on the ground under the hospital building. One had to crawl on his hands and knees to enter there. There was a most capable Glee Club among the officers, and they had by some means secured a flute, violins, and bass viol for accompaniments. They kept their instruments under the house, too, where they slept.
Every afternoon this Glee Club was permitted to sing and play on the little elevated porch of the hospital. The only condition was that Southern songs should be sung, not less than Northern songs. There was no trouble about that. The songs of our captors were better than no songs. Besides, these singers made music. All the crowd of prisoners, eight hundred now, often stood in front of the little porch to enjoy the singing. Almost hundreds of the Rebels, too, together with many ladies of Columbia, climbed up onto the walls, where the guards stood, and applauded the singers as much as any.
One drizzly afternoon I was standing by a little persimmon tree in the midst of the crowd listening to the songs, when Major Isett, leader of the Glee Club, said: "Now we will have a song about Sherman." To my astonishment, it was my "Sherman's March to the Sea."
It was received in a tremendous fashion. Everybody cheered and hurrahed. The news of Sherman's victories was fresh upon them. In five minutes' time the good fortune of my song was settled. The name of the author was loudly called for; someone saw me by the little tree, and I was quickly hauled to the front and up onto the platform. In a few moments an unknown officer among the many prisoners became a sort of prison hero.
Everybody wanted the song, everybody sang it; and clever penmen made a good thing making copies at twenty dollars apiece, Confederate money. As a little compliment to me the captain of the prison allowed me to sleep on the floor of the hospital room. To me that was important, as shall appear. Later in this narrative, too, will be seen how an exchanged prisoner, by the name of Tower, who had an artificial leg, carried the song in this wooden limb through the lines to our soldiers in the North, where it was sung everywhere and with demonstration. In a week it had given its name to the campaign, and a million copies of it soon passed into circulation.
Lieutenant Rockwell, who had asked my leave to copy the verses that first morning, was a composer, and there in the dust under the old hospital he had, unknown to me, written the first music to which the song was ever sung. Later, it had many other settings, but that one, though difficult, remained the best. The song has often since been sung to the air of "The Red, White, and Blue." This is the history of the song, which I print here as a part of this narrative.
SHERMAN'S MARCH TO THE SEA
Our camp fires shone bright on the mountains
That frowned on the river below,
While we stood by our guns in the morning
And eagerly watched for the foe—
When a rider came out from the darkness
That hung over mountain and tree,
And shouted, "Boys, up and be ready,
For Sherman will march to the sea."
Then cheer upon cheer for bold Sherman
Went up from each valley and glen,
And the bugles re-echoed the music
That came from the lips of the men.
For we knew that the stars in our banner
More bright in their splendor would be,
And that blessings from Northland would greet us
When Sherman marched down to the sea.