Orrain: A Romance

by S. Levett Yeats

"Fifty pistoles, then."

"'Tis a long sum, and I am not sure of the proof."

Maître Barou looked at me reproachfully. Seizing a poniard he glanced at the blade for a moment, touched the point with the tip of his finger, and then raising the weapon brought it down with his full force on the corselet. The dagger glanced off from the mirror-like surface and buried itself deep in the hard wood of the counter.

"There, monsieur!" And Barou looked at me triumphantly. It was a shrewd enough test, and I closed the bargain, paying him his money then and there, and bidding him send the mail to De Lorgnac's house.

"And the name, monsieur?"

"The Chevalier d'Orrain."

As Barou was making an entry on a slate I heard a step behind me, and turning saw it was La Marmotte. She made no sign of recognition, however, but went straight up to Barou, to whom she handed a small package, giving him some instructions in a low tone. Taking the hint I gave a casual glance or so at the things around me, and then strolled out of the shop. I walked very slowly up the street in the direction opposite De Lorgnac's house, and I had scarce gone a hundred paces when La Marmotte caught me up, and asked me somewhat abruptly if I knew of a place called the Passage of Pity. I replied that I did, and she then told me to meet her there in an hour's time, and to be sure I was well armed. For answer I touched the hilt of my sword; and, with a nod to me, she crossed the street and disappeared up a narrow, winding alley. I kept on at the leisurely pace I was going at, wondering to myself if I were walking into a snare or not. But, although caution is a very good thing, still there are times when one should be prepared to take risks, and I held this was such an occasion. Having now reached the head of the Rue Tiquetonne I quickened my pace, and was soon in the Vallée de Misérè. I avoided the bridge, and, crossing the river by a ferry boat, was soon in the purlieus of the Sorbonne. Every inch of this locality was familiar to me, and at last I reached the cloisters of the Mathurins, a few yards from which lay the narrow by-street which the quaint wit of the Parisian badaud had christened the Passage of Pity. It was dark and short—so short, indeed, that an active boy, standing at one end of it, might easily have thrown a stone against the high wall of a house built athwart the other end of the road, apparently barring all progress beyond. This was not the case, however, for the narrow arch, that was to all appearance the entrance to the house, gave access to a small flight of steps, worn with age, that led towards a gallery opening upon the Rue de la Harpe.

In the wall towards the right of this arch, about a man's height from the ground, was a small niche containing a figure of the Virgin, and beneath was that which, perhaps, had given its name to the street, for someone had traced in shaky characters upon the wall the words: "Avez pitié!"

Beneath these words, written in blood long since browned with age, could still be seen the impress of a hand that had been red too, as if the unfortunate writer had supported himself thus whilst tracing his miserable words.

The steps leading to the gallery beyond the archway were known as "The Little Steps of Mercy," and to get at the entrance door of the house itself, which was in part built over the passage, it was necessary to go along the gallery, in the side of which it was placed, in an almost invisible gloom, that added not a little to the mystery surrounding the place. Another curious thing about this little by-street was that every house, and there were not many, appeared deserted. Hardly a soul ever passed by day along its dim length, which was always in shadow, except at high noon, when the sunlight forced its way in a line of white light along the forbidding passage. By night no one was ever seen, and, indeed, there were few who would have ventured along the Passage of Pity when the sun went down.