'A Miss Sherard stayed here last summer,' said Miss Abingdon, 'a friend of Jane's, and she smoked cigarettes in her bedroom. I know that, for I saw the ashes in her pin-tray.'

Miss Abingdon rather enjoyed making little excursions through her guest's bedrooms of an afternoon, when she had the house to herself; and, without deigning to touch or disturb anything, she knew pretty well, for instance, whose complexion was real and whose was false, who wore powder and who did not.

Mrs. Wrottesley glanced at her own figure in the drawing-room mirror; her mantle disguised the fact that she had either a waist or a pair of arms, and she gave a little dry smile as she reflected that she had accepted a dolman cloak with all the other outward conventions of orthodoxy as understood by society in rural England.

'My cousin, Peter Ogilvie, comes here every day,' said Miss Abingdon; 'he is crossing the lawn now. In former days these two young people would have been talked about. (Peter is my cousin, you know, on my father's side of the house—he is not related to Jane.) But neither will probably mind in the least what is said about them, and for my own part I am positively unable to say whether they care for each other or not. Had I been Jane I would have sat in the arbour this morning, with a pretty, cool white dress on, reading poetry or some light romance, or working at my embroidery till my lover came, instead of being found covered with paint and with the footman's baize apron on.'

The two ladies moved closer to the window and watched the young man crossing the lawn. He was well-built and not many inches above Jane's own height; and perhaps when one has said that he was fair with that Saxon fairness which suggests an almost immaculate cleanliness, and looked like a gentleman, there is not much more to be stated about his external appearance.

Jane rose from her recumbent position on the turf and shook off some blades of short grass from her apron, and waved a brush filled with green paint in the air.

'Don't touch it, Peter!' she cried. 'Isn't it lovely?'

'Good morning, Jane,' said Peter, lifting his cap. Whatever else might be said of them, it would have to be admitted that there was a fundamental sense of courtesy and good-breeding underlying the regrettably frank manner of these young people. 'If you wave your brush about in that triumphant way you 'll splash me with green paint.'

'I have sacrificed two dresses already,' answered Jane; 'but real Art is worth that!'

'The hutch looks ripping,' said Peter; 'but I should feel safer if you would put down that brush.'