Like pale moths the summer frocks
Hover between the beds of phlox,
And old men, feeling it is late,
Cease their gossip at the gate,
Till deeper still the twilight grows,
And night blossometh, like a rose
Full of love and sweet perfume,
Whose heart most tender stars illume.
Here the red sun sank like lead,
And the sky blackened overhead;
Only the locust chirped at me
From the shadowy baobab-tree."
I don't deny that this trick of contrasting unpleasant existing conditions with pleasant conditions that surrounded one's past some time before was part of the stock-in-trade of every so-called war poet. I am not at all concerned to defend, nor am I interested in, the contrast. I merely chronicle the æsthetic pleasure that I derive from verses four and five, though neither of these even approaches perfection. But I do maintain that both the poems I have quoted are worth reading. I do maintain that Mr Brett-Young has the instinct of all true poets: he realises that "Beauty is an armour against fate," "that a lovely word is not an idle thing": he is a true lover of Beauty: listen to his confession of faith:
"Beauty and love are one,
Even when fierce war clashes:
Even when our fiery sun
Hath burnt itself to ashes,
And the dead planets race
Unlighted through blind space,
Beauty will still shine there:
Wherefore, I worship her."
He is, moreover, most successful when he invokes her:
"Whither, O my sweet mistress, must I follow thee?
For when I hear thy distant footfall nearing,
And wait on thy appearing,
Lo! my lips are silent: no words come to me.
Once I waylaid thee in green forest covers,
Hoping that spring might free my lips with gentle fingers;
Alas! her presence lingers
No longer than on the plain the shadow of brown kestrel hovers.
Through windless ways of the night my spirit followed after;—
Cold and remote were they, and there, possessed
By a strange unworldly rest,
Awaiting thy still voice heard only starry laughter.
The pillared halls of sleep echoed my ghostly tread.
Yet when their secret chambers I essayed
My spirit sank, dismayed,
Waking in fear to find the new-born vision fled.