FIG. 55.—BERNIÈRES’S GREAT BURNING-GLASS. (AFTER AN OLD FRENCH PRINT.)
(What became of the French lens shown, it would be interesting to know. If it is still above ground, its fate has been better than that of the English one. It is said that the Emperor of China, when he got his lens, was much alarmed by it, as being possibly sent him by the English with some covert design for his injury. By way of a test, a smith was ordered to strike it with his hammer; but the hammer rebounded from the solid glass, and this was taken to be conclusive evidence of magic in the thing, which was immediately buried, and probably is still reposing under the soil of the Celestial Flowery Kingdom.)
We can confirm the evidence of such burning-lenses as to the sun’s high temperature by another class of experiment, which rests on an analogous principle. We can make the comparison between the heat from some artificially heated object and that which would be given out from an equal area of the sun’s face. Now, supposing like emissive powers, if the latter be found the hotter, though we cannot tell what its temperature absolutely is, we can at least say that it is greater than that of the thing with which it is compared; so that we choose for comparison the hottest thing we can find, on a scale large enough for the experiment. One observation of my own in this direction I will permit myself to cite in illustration.
Perhaps the highest temperature we can get on a large scale in the arts is that of molten steel in the Bessemer converter. As many may be as ignorant of what this is as I was before I tried the experiment, I will try to describe it.
FIG. 56.—A “POUR” FROM THE BESSEMER CONVERTER.
The “converter” is an enormous iron pot, lined with fire-brick, and capable of holding thirty or forty thousand pounds of melted metal; and it is swung on trunnions, so that it can be raised by an engine to a vertical position, or lowered by machinery so as to pour its contents out into a caldron. First the empty converter is inclined, and fifteen thousand pounds of fluid iron streams down into the mouth from an adjacent furnace where it has been melted. Then the engine lifts the converter into an erect position, while an air-blast from a blowing-engine is forced in at the bottom and through the liquid iron, which has combined with it nearly half a ton of silicon and carbon,—materials which, with the oxygen of the blast, create a heat which leaves that of the already molten iron far behind. After some time the converter is tipped forward, and fifteen hundred pounds more of melted iron is added to that already in it. What the temperature of this last is, may be judged from the fact that though ordinary melted iron is dazzlingly bright, the melted metal in the converter is so much brighter still, that the entering stream is dark brown by comparison, presenting a contrast like that of chocolate poured into a white cup. The contents are now no longer iron, but liquid steel, ready for pouring into the caldron; and, looking from the front down into the inclined vessel, we see the almost blindingly bright interior dripping with the drainage of the metal running down its side, so that the circular mouth, which is twenty-four inches in diameter, presents the effect of a disk of molten metal of that size (were it possible to maintain such a disk in a vertical position). In addition, we have the actual stream of falling metal, which continues nearly a minute, and presents an area of some square feet. The shower of scintillations from this cataract of what seems at first “sunlike” brilliancy, and the area whence such intense heat and light are for a brief time radiated, make the spectacle a most striking one. (See [Fig. 56].)
The “pour” is preceded by a shower of sparks, consisting of little particles of molten steel which are projected fully a hundred feet in the direction of the open mouth of the converter. In the line of this my apparatus was stationed in an open window, at a point where its view could be directed down into the converter on one side, and up at the sun on the other. This apparatus consisted of a long photometer-box with a porte-lumière at one end. The mirror of this reflected the sun’s rays through the box and then on to the pouring metal, tracing their way to it by a beam visible in the dusty air ([Fig. 57]). In the path of this beam was placed the measuring apparatus, both for heat and light. As the best point of observation was in the line of the blast, a shower of sparks was driven over the instrument and observer at every “pour;” and the rain of wet soot from chimneys without, the bombardment from within, and the moving masses of red-hot iron around, made the experiment an altogether peculiar one. The apparatus was arranged in such a way that the effect (except for the absorption of its beams on the way) was independent of the size or distance of the sun, and depended on the absolute radiation there, and was equivalent, in fact, to taking a sample piece of the sun’s face of equal size with the fluid metal, bringing them face to face, and seeing which was the hotter and brighter. The comparison, however, was unfair to the sun, because its rays were in reality partly absorbed by the atmosphere on the way, while those of the furnace were not. Under these circumstances the heat from any single square foot of the sun’s surface was found to be at least eighty-seven times that from a square foot of the melted metal, while the light from the sun was proved to be, foot for foot, over five thousand times that from the molten steel, though the latter, separately considered, seemed to be itself, as I have said, of quite sunlike brilliancy.