"Stand clear, there!" commanded a voice from above our heads. Rhoda Polly had got a team of men together to lever up Allerdyce's machine gun. She was now bending over it, and those who remained of the dead man's crew bent themselves to the task of getting it in order.
"To right and left, and fire as they run. Now then——!" commanded Rhoda Polly.
"Re-r-r-r-rach-rach-rach!"
The mitrailleuse spat hate and revenge over our heads. The young "second-in-command," trained by Allerdyce, stood calmly to his post and swept the muzzle wherever he saw a cluster of assailants.
"Allerdyce! Allerdyce!" yelled the crew of No. 4. They did not mean him to hear. Allerdyce would never hear anything again—neither the voice of his native Doon, running free over the shallows, nor the raucous voice of his beloved gun, nor even the shouting of his men as they wrote their vengeance for a dead leader across the Cours of Aramon in letters of blood.
This happened almost at the end of the battle, but what I remember best of it all, in all that unknown and unknowable turmoil of death, is the half-wild, half-quixotic, altogether heroic figure of Jack Jaikes, dancing and vapouring under the splendours of the moonlight.
"Come back and fecht!" he yelled. "Come back and fecht for the sowl o' Allerdyce! On'y ten o' ye. I tell ye I'll slay ye for the sake o' Allerdyce! Ye made what's no human o' him. Come back and I will choke ye wi' my bare hands. We were chums, Allerdyce and me, at the Clydebank yaird. God curdle your blood for what ye did to Allerdyce. Come back and fecht, ye hounds o' hell, come back and fecht!"