Obviously it was impossible for me during my salad days to escape from falling in love with one or other of these three pretty girls. I solved the question by falling in love with all three in turns, the rotation of crops being determined chiefly by whose vacations coincided with mine.
This bred no jealousies, for the girls were large-minded, and at that time a sweetheart more or less had no particular significance for them.
Rhoda Polly was the learned one; she had been to college at Selborne, and still retained in speech and manner something Oxonian and aloof. But really she was gentle and humble-minded, eager with sympathy, and only shy because afraid of proffering it where it was not wanted. Rhoda Polly was a creamy blonde with abundant rippling hair, clearly cut small features, and the most sensitive of mouths. Yet she was full of the most unselfish courage, ready for long smiling endurances, and with that unusual feminine silence which enables a woman to keep her griefs to herself and even to deceive others into thinking she has none.
Did anyone want anything, Rhoda Polly would find it. Had two tickets only been sent for the theatre, Rhoda Polly would not mind staying at home. Rhoda Polly never minded anything. She did not cry half the afternoon like Hannah over a spoilt dress, nor fall into any of Liz's miniature rages. She was Rhoda Polly, and everybody depended upon her. The girls confided in her largely, and never expected her to have any secrets of her own for truck, barter, or exchange.
Hannah had been delicate always—or at least had been so considered by her mother.
Her character had been formed between her mother's favour and her elder sister's habit of giving way rather than face an argument. She was dark and slender, placidly sure of being always right, and of looking best in a large picture hat with a raven plume.
Hannah had been sent to school near Lausanne, which was kept by the daughter of the famous Froebel, assisted by a relative of the still more famous Pestalozzi. An English lady was in residence at the Pestalozzi-Froebel Institute, to teach the pupils the aristocratic manners, so rare and necessary an accomplishment in a country where the President of the Republic returns from his high office to put on his grocer's apron, and goes on weighing out pounds of tea at the counter of the old shop which had been his father's before him.
Liz was all dimples and easy manners, the plaything of the house. She knew she could do no wrong, so long as she went on opening wide her eyes of myosotis blue, now purring and now scratching like a kitten; she would often dart away for no reason whatever, only to come back a minute after, having apparently forgotten the cause of her brusque disappearance. She was accordingly a good deal spoilt, not only by the young engineers who frequented the Château Schneider, but by her parents and sisters as well.
One of the former, asked the reason of a decided preference for Liz, declared that it was because she could never be mistaken for a French convent-bred girl. It was pointed out to him that the same might be said for the other two, but he stuck to his point. Rhoda Polly with her Oxford manner of condescending to undergraduates, and Hannah with the Pestalozzi Institute refinements, might speak and look as if they had a duenna hidden in the background, but Liz—never! She was more likely to box somebody's ears.