"Get out av me house, Misthress Turner, afore I break the thick skull av yer ill-conditioned face," said Tim, whose abuse was always of the linked and logical kind.
"'Deed an' I'll gang oot o' yer hoose wi' pleesure, Timothy Kelly; gin I had kenned that the likes o' ye was in it, Mary Turner wad never hae crossed yer doorstep."
"Well, now that ye are here, be afther takin' yersilf acrost the durestip, as suddent an' comprehensive-like as ye can—wid yer brazen face afore ye an' yer turned-up nose in the air. When ye are wanted bad in this house, ye'll get an invite wid a queen's pictur' on it an' me kyard!" said Tim Kelly, sarcastically.
Mary Turner betook herself to the door, in a manner as dignified as it is possible to retain when retreating with one's face to the foe. But when she got there, she put her arms akimbo and opened the vials of her wrath on Tim Kelly. The neighbours came to the doors to listen. It was a noble effort, and the wives remembered some of Mistress Turner's phrases long after, and reproduced them every fortnight upon pay-nights, for the benefit of their husbands when they came home with only eleven intact shillings out of twenty-three.
But Tim Kelly hardly troubled to reply. He only said that Mary Turner was a brass-faced old Jezebel, a statement which he repeated several times, because he observed that it provoked on each occasion a fresh burst of the Turnerian vocabulary.
Tim Kelly never wasted animosity. After all, Mistress Turner was not his wife, and there were other means of getting even with her. He could win money at cards from her husband, or he could teach her son, Jamie, who had just left school, a fine new game with the lock of a door and one of his curious pronged hooks. There are more ways of killing a cat than drowning it in cream—also many deaths less agreeable to the cat. So Tim Kelly bided his time.
But for some reason Tim Kelly grew less unkind to his wife than he had ever been, since those terrible days when in Ormiland parish bonny Isbel Beattie grew "fey."
It was said that Tim was afraid of his son Cleg. At any rate, certain it is that he beat his wife no more, and very occasionally he even gave her a little money. So in her heart Isbel Kelly counted these good days, and sometimes she could almost have wished to live a little longer.
It was not often that Cleg stayed in the house with her. That she did not expect. But at all times of the day she could see him, rushing about the brickfield, sometimes piling bricks into castles; at other times helping Jo Turner; then again playing at marbles for "keeps" in the red dust of the yard, with the sun pouring down upon his head. It was a constant marvel to Isbel that he was never tired. She was always tired.
Sometimes Cleg Kelly fought, and then his mother called him in. He always came—after the fight was over. He still wore a hat of straw with a hole in it, or rather he wore a hole with a little rim of hat round it. He loved his mother, and, on the whole, attended to what she told him. He did not steal anything of value, nor would he go near Hare's public. He did not tell more lies than were just and necessary. He minded his mother's wants, and was on the whole a fairly good boy, as boys go down by the Easter Beach brickyard. The standard was not an exacting one.