One day Cleg Kelly became paper-boy at the shop of Mistress Roy, at the top corner of Meggat's Close. And he wanted you to know this. He was no longer as the paper-boys who lag about the Waverley, waiting for stray luggage left on the platforms, nor even as this match-boy. He was in a situation.
His hours were from half-past six in the morning to half-past six in the morning, when he began again. His wages were three shillings a week—and his chance. But he was quite contented, for he could contrive his own amenities by the way. His father had been in a bad temper ever since he lost his tools, and so Cleg did not go home often.
This was the way in which he got his situation and became a member of the established order of things, indeed, the next thing to a voter. There had been a cheap prepaid advertisement in the "Evening Scrapbook," which ran as follows:—
"Wanted, an active and intelligent message-boy, able to read and write. Must be well recommended as a Christian boy of good and willing disposition. Wages not large, but will be treated as one of the family.—Apply No. 2,301, 'Scrapbook' Office."
Now Miss Cecilia Tennant thought this a most interesting and encouraging advertisement. She had been for a long time on the look-out for a situation to suit Cleg. The Junior Partner indeed could have been induced to find a place for Cleg in "The Works," but it was judged better that the transition from the freedom of the streets to the lettered ease of an office desk should be made gradually. So Celie Tennant went after this situation for Cleg in person.
The arrangement with Mistress Roy in the Pleasance was a little difficult to make, but Celie made it. She went down one clammy evening, when the streets were covered with a greasy slime, and the pavements reflected the gloomy sky. In the grey lamp-sprinkled twilight she reached the paper-shop. There were sheafs of papers and journals hung up on the cheeks of the door. Coarsely coloured valentines hung in the window, chiefly rude portraitures of enormously fat women with frying-pans, and of red-nosed policemen with batons to correspond.
Celie Tennant entered. There was a heavy smell of moist tobacco all about. The floor of the little shop was strewn with newspapers, apparently of ancient date, certainly of ancient dirt. These rustled and moved of themselves in a curious way, as though they had untimely come alive. As indeed they had done, for the stir was caused by the cockroaches arranging their domestic affairs underneath. Celie lifted her nose a little and her skirts a good deal. It took more courage to stand still and hear that faint rustling than to face the worst bully of Brannigan's gang in the Sooth Back. She rapped briskly on the counter.
A man came shuffling out of the room in the rear. He was clad in rusty black, and had a short clay pipe in his mouth. His eyes were narrow and foxy, and he looked unwholesomely scaly—as if he had been soaked in strong brine for half a year, but had forgotten either to finish the process, or to remove the traces of the incomplete pickling.
"Servant, m'am!" said he, putting his pipe behind him as he came into the shop.
"I was referred here—to this address—from the office of the 'Evening Scrapbook,'" said Celie, with great dignity, standing on her tiptoes among the papers. "I called about the situation of message-boy you advertised for."