Great sheets of canvas were stretched above, flaring cressets were being lighted below, for some of the largest shows were dark inside, being those where the mysteries of "Pepper's Ghost" were shortly to be unveiled.
Celie Tennant was greatly excited by the prospect of eating of the tree of knowledge.
"Let us go in here," she said, pointing to the wondrous "Ghost Illusion" bearing the name and style of Biddle. She drew out her purse to pay, but Cleg stopped her with his hand. He had grown quite dignified.
"Na," he said, "ye canna do that. It's my treat the nicht, when ye are walkin' oot wi' me."
Then it dawned upon Celie that she was assisting at a well-understood function—no less than the solemn treating of a lady fair upon the evening of a pay-day. The thought nearly overcame her, but she only said, "Thank you, Cleg," and was discreetly silent.
For the time being she was Cleg Kelly's "young woman."
They went in. A fat woman, with large silver rings in her ears of the size of crown pieces, took Cleg's money and looked with great sharpness at them both. Cleg paid for the best places in the house. They cost him sixpence, and were carpeted—the seats, not the floor. To such heights of extravagance does woman lead man! The play was already proceeding as they sat down. Presently, after some very moral observations from an old gentleman in trouble with a dying child (he said "choild"), the curtain dropped and the roof of canvas was drawn aside, in order to let in the struggling daylight and save the flaring naphtha cressets.
Instantly Celie and Cleg became the sole centre of attraction—a doubleted courtier in tights, with an unruly sword which scraped the curtain, having no chance whatever by comparison with their grandeur. Cleg folded his arms with a proud disdain and sat up with a back as straight as an arrow.
"Glory be—if 'tisn't Cleg Kelly wid the Quane of Shaeba!" said a compatriot in the pit. (The house was divided into pit and carpet.) And this was the general opinion. It was the proudest moment of Cleg's existence—to date, as he himself said.