Now I had promised my mother to go to school that day, and not make my father angry again. Well, I had been to school, and had been dux of the catechism, which was surely enough glory and honour for one day. So soon, therefore, as we got out I made a rush down the street towards the bridge where was Elsie's house—a little cottage by the bridge end, all covered over with Virginia creeper and roses, though Nancy Edgar, the "outworker" with whom she lived, was quite poor, and the neighbours said it was a disgrace that she should make such a flaunting show, for all the world as if she was rich and could afford to buy plants from a nursery-man. But everything that Nancy had given her, or found thrown out as of no use, seemed to do with her, and grew to a marvel.

"I expect it is because I love them!" she said. But privately I thought it was because of Elsie. She was ever such a nice girl, Elsie Stennis, and I had kept friends with her, steady, ever since she came to Breckonside from Thorsby. For she is a town girl, Elsie, and her father and mother are dead. But no nonsense about her—no love and stuff. She was what they call pretty, too, but not set up about it in the least, the way girls get. You would have liked her just as I did. Nearly every one did—except her grandfather.

Well, when I got to Nance Edgar's cottage, which stands back a bit from the road, with a joiner's yard at one side, and the road to Bewick stretching away on the other, I saw Elsie at the gable window. She had a book in her hand, her finger between the leaves. "Come down, Elsie," I called up to her. "I'm not going to school to-day. Come and see the new greenhouses they are building over at Rushworth Court. I can get you a ride in a dogcart all the way. Our man Jake is going with a cargo of paint. Father has the order."

But Elsie wouldn't. She said that it was all very well for me, who was going to be as rich as ever was, to "kip," but that she meant to learn, even though Mr. Mustard was a brute.

I said that was nonsense, and that I would give her half of all I had. At any rate I urged her to come down now. And just at that moment as I was speaking, she pointed over my shoulder. From the gable window she could see something I could not.

"Do look—what's that?" she cried. And her voice sounded pale.

It was Harry Foster's wagon, and I could see in a minute that something was wrong. Oh, it was easy to see that, even for a boy. My ears sung and I felt suddenly old. But by a sort of instinct I got the piebald pony by the bridle, which was trailing among her forefeet. And I could see she had been down, too. Her knees showed that. Poor Dappled Bess never tried to get away. She had terror in her eye, quite like a human it was. And she seemed to limp with all her feet at once. I was sorry for Bess. She and I were friends, you see. I used to ride her about in our pasture on Sundays, to keep her from feeling lonesome.

But it was Elsie who cried out. She had looked inside the mail cart.

"There's blood!" she gasped. "O Joe!"

She didn't faint just when she was needed to do something, though she did put her hand to her eyes, and, faith, I don't blame her. She came and said very quietly: "I'll take the horse's head, Joe—you look. I can't!"