“No adventures were ever better worth recounting than are those of Antonio of Monte Velluto, a very Bayard among outlaws.... To all those whose pulses still stir at the recital of deeds of high courage, we may recommend this book.... The chronicle conveys the emotion of heroic adventure, and is picturesquely written.”—London Daily News.
“It has literary merits all its own, of a deliberate and rather deep order.... In point of execution ‘The Chronicles of Count Antonio’ is the best work that Mr. Hope has yet done. The design is clearer, the workmanship more elaborate, the style more colored.”—Westminster Gazette.
“A romance worthy of all the expectations raised by the brilliancy of his former books, and likely to be read with a keen enjoyment and a healthy exaltation of the spirits by every one who takes it up.”—The Scotsman.
“A gallant tale, written with unfailing freshness and spirit.”—London Daily Telegraph.
“One of the most fascinating romances written in English within many days. The quaint simplicity of its style is delightful, and the adventures recorded in these ‘Chronicles of Count Antonio’ are as stirring and ingenious as any conceived even by Weyman at his best.”—New York World.
“No adventures were ever better worth telling than those of Count Antonio.... The author knows full well how to make every pulse thrill, and how to hold his readers under the spell of his magic.”—Boston Herald.
THE GOD IN THE CAR. New edition. Uniform with “The Chronicles of Count Antonio.” 12mo. Cloth, $1.25.
“‘The God in the Car’ is just as clever, just as distinguished in style, just as full of wit, and of what nowadays some persons like better than wit—allusiveness—as any of his stories. It is saturated with the modern atmosphere; is not only a very clever but a very strong story; in some respects, we think, the strongest Mr. Hope has yet written.”—London Speaker.
“A very remarkable book, deserving of critical analysis impossible within our limit; brilliant, but not superficial; well considered, but not elaborated; constructed with the proverbial art that conceals, but yet allows itself to be enjoyed by readers to whom fine literary method is a keen pleasure.”—London World.
“The book is a brilliant one.... ‘The God in the Car’ is one of the most remarkable works in a year that has given us the handiwork of nearly all our best living novelists.”—London Standard.