And Hugh John hugged himself in his pleasure at having a new weapon so admirably double-barrelled. He looked upon the follies of love, as manifested in the servants' hall and upon the outskirts of the village, as so much excellent material by which a wise man would not fail to profit. Janet Sheepshanks was very severe on such delinquencies, and his father—well, Hugh John felt that Tom Cannon would not wish to appear before his master in such a connection. He had a vague remembrance of a certain look he had once seen on his father's face when Allan Chestney, the head-keeper, came out from Mr. Picton Smith's workroom with these words ringing in his ear, "Now, sir, you will do as I tell you, or I will give you a character—but, such a character as you will carry through the world with you, and which will be buried with you when you die."
Allan was now married to Jemima, who had once been cook at the house of Windy Standard. Hugh John went over to their cottage often to eat her delicious cakes; and when Allan came in from the woods, his wife ordered him to take off his dirty boots before he entered her clean kitchen. Then Allan Chestney would re-enter and play submissively and furtively with Patty Pans, their two-year-old child, shifting his chair obediently whenever Cook Jemima told him. But all the same, Hugh John felt dimly that these things would not have happened, save for the look on his father's face when Allan Chestney went in to see him that day in the grim pine-boarded workroom.
So, much lightened in his mind by his discovery, Hugh John took his way down the avenue. At the foot of it, and before he came to the locked white gate and the cottage of Betty, he turned aside through a copse, over a little green patch of sward on which his feet slid smooth as velvet. A hare sat on the edge of this, with her fore-feet in the air. She was for the moment so astonished at Hugh John's appearance that it was an appreciable period of time before she turned, and with a quick, sidelong rush disappeared into the wood. He could hear the soughing rush of the river below him, which took different keys according to the thickness of the tree copses which were folded about it; now singing gaily through the thin birches and rowans; anon humming more hoarsely through the alders; again rustling and whispering mysteriously through the grey shivery poplars; and, last of all, coming up, dull and sullen, through the heavy oak woods, whose broad leaves cover all noises underneath them as a blanket muffles speech.
Hugh John skirted the river till he came to the stepping-stones, which he crossed with easy confidence. He knew them—high, low, Jack, and game, like the roofs of his father's outhouses. He could just as easily have gone across blindfold.
Then he made his way over the wide, yellowish-grey spaces of the castle island, avoiding the copses of willow and dwarf birch, and the sandy-bottomed "bunkers," which ever and anon gleamed up before him like big tawny eyes out of the dusky grey-green of the short grass. After a little the walls of the old castle rose grimly before him, and he could hear the starlings scolding one another sleepily high up in the crevices. A black-cap piped wistfully among the sedges of the watermarsh. Hugh John had often heard that the ruin was haunted, and certainly he always held his breath as he passed it. But now he was on duty, and, if need had been, he would that night have descended to the deepest dungeon, and faced a full Banquo-board of blood-boltered ghosts.
CHAPTER XI
ENEMY'S COUNTRY.