a massive gateway built by San Gallo in the walls erected by Leo IV. round S. Peter's and the Vatican, whence the district inside is called the Leonine City. Outside the gate a steep ascent leads up to
S. ONOFRIO—TASSO'S TOMB.
This convent is for ever memorable in the history of Italian literature as the place where Tasso died. The adjoining church, called Girolmini, or Brothers of S. Jerome, built for the use of the monks, was erected in 1429 A.D., during the reign of Eugene IV. Tasso, summoned to the Capitol to be crowned there as king of bards, died in 1595, a short time after his arrival in Rome. He was buried in the church without much ceremony, and his remains lay undisturbed in a simple tomb on the left of the entrance until the year 1857, when they were transferred to a chapel in the church expressly built for their reception at the public expense. A fine statue of the poet by Fabris is shown. In the convent garden is a tree called Tasso's Oak, under which the author of "Jerusalem Delivered" used to sit in pious meditation. The view of Rome and of the Sabine and Alban Hills, with Soracte in the distance, is magnificent. The fresco of the Virgin and Child over the door of the church, and three paintings under the portico illustrating the life of S. Jerome, are the work of Domenichino. In the convent is a Virgin and Child by Leonardo da Vinci; and in the same building are preserved several relics of Tasso, in the room where he died—his crucifix, his inkstand, and the leaden coffin in which his bones reposed for two hundred and sixty-two years—namely, till the time of his second burial. Two other distinguished men were buried in S. Onofrio—Guidi, the poet, and Cardinal Mezzofanti, the famous linguist.
At the bottom of the ascent, turn to the right, down the Via Lungara. Some little distance down on the right is the
PALAZZO DEI LINCEI.
(Formerly Corsini.)
Open Monday, Thursday, and Saturday, from 9 to 3.
As this palace, now the home of the Academy of the Lincei, is again open to the public, and as the paintings were generously presented by Prince Corsini to the city of Rome, it may be of advantage to visitors in Rome if we enumerate the paintings most worth inspection. At the same time we would inform our readers that there are full catalogues, on cards, in Italian and French in each room.
First Room.—In glass case on stand at window, Birth of Christ, by Batoni; 6, Sacred Family, by Barocci; 23, S. Catherine of Sienna, by Zobole.
Second Room.—In glass case on stand at first window, Mater Dolorosa, by Guido Reni. In second window, Madonna and Infant Jesus, by Carlo Dolci; 11 and 27, Fruit, by Mario di Fiori; 15, a Landscape, by Poussin; 20, Pietà, by Caracci; 41, Andrea Corsini, by Gessi, copied in mosaic in the Corsini Chapel in S. John's Lateran.