Fifth Room.—17. Money-Changers, by Quentin Matsys. 25. S. Joseph, by Guercino.
Sixth Room.—13. Madonna, by Carlo Maratta. 30. Sketch of a Boy.
Seventh Room.—8. Belisarius in the Desert, by Salvator Rosa. 19. Slaughter of the Innocents, by Mazzolini.
First Gallery.—3. Magdalen, by Annibale Caracci. 9. Holy Family, by Sassoferrato. 14. A Titian. 20. Three Ages of Man, by Titian. 25. Flight into Egypt, by Claude Lorraine. 45. Madonna, by Guido Reni. 50. Holy Family, by Giulio Romano.
Second Gallery.—6. Madonna, by Francia. 14. Bartolo and Baldo, by Raphael. 24. Calvin, Luther, and Catherine, by Giorgione. 40. Herodias, by Pordenone. 50. Confessor, by Rubens. 53. Joanna of Arragon, School of Leonardo da Vinci. Bust of Andrea Doria. 80. Wife and Self, by Titian.
Third Gallery.—5. Landscape, by Claude Lorraine. 12. The Mill, by same, a most extraordinary complication. 18. Pietà, by Caracci.
Cabinet of Gems.—1. Portrait of a Letterato, by Lucas van Leyden. 2. Andrea Doria, by Sebastiano del Piombo. 3. Giannetto Doria, by Bronzino. 4. S. Philip Neri, by Barocci. 5. Innocent X., by Velasquez. 6. Entombment, by John Emelingk. Bust of Lady Mary Talbot.
Proceeding down the Corso, we reach the Piazza di Venezia. On the left is the Tolonia Palace, and on the right the Venetian Palace (now the Austrian Embassy), a building of the middle ages. On the right-hand side of the narrow street, in a line with the Corso, Via Morforio, is the
TOMB OF ATTIA CLAUDIA,
converted into a house, the lower part being shops. By descending into the vault, it will be seen that it is hewn out of the natural rock. The Claudii family "received, from the state, lands beyond the Anio for their followers, and a burying-place for themselves near the Capitol" (Suetonius, "Claudius," i. 1).