“Well, yes.”
Vance leaned forward quickly.
“And her face, Sergeant? Had she been shot in her sleep?”
“It didn’t look that way. Her eyes were wide open, staring straight ahead.”
“Her eyes were open and staring,” repeated Vance, a note of eagerness coming into his voice. “What would you say her expression indicated? Fear? Horror? Surprise?”
Heath regarded Vance shrewdly. “Well, it mighta been any one of ’em. Her mouth was open, like as if she was surprised at something.”
“And she was clutching the spread with both hands.” Vance’s look drifted into space. Then slowly he rose and walked the length of the office and back, his head down. He halted in front of the District Attorney’s desk, and leaned over, resting both hands on the back of a chair.
“Listen, Markham. There’s something terrible and unthinkable going on in that house. No haphazard unknown assassin came in by the front door last night and shot down those two women. The crime was planned—thought out. Some one lay in wait—some one who knew his way about, knew where the light-switches were, knew when every one was asleep, knew when the servants had retired—knew just when and how to strike the blow. Some deep, awful motive lies behind that crime. There are depths beneath depths in what happened last night—obscure fetid chambers of the human soul. Black hatreds, unnatural desires, hideous impulses, obscene ambitions are at the bottom of it; and you are only playing into the murderer’s hands when you sit back and refuse to see its significance.”
His voice had a curious hushed quality, and it was difficult to believe that this was the habitually debonair and cynical Vance.
“That house is polluted, Markham. It’s crumbling in decay—not material decay, perhaps, but a putrefaction far more terrible. The very heart and essence of that old house is rotting away. And all the inmates are rotting with it, disintegrating in spirit and mind and character. They’ve been polluted by the very atmosphere they’ve created. This crime, which you take so lightly, was inevitable in such a setting. I only wonder it was not more terrible, more vile. It marked one of the tertiary stages of the general dissolution of that abnormal establishment.”