The Whistler book

by Sadakichi Hartmann

PRINCIPAL MAGAZINE ARTICLES

Alden, W. S.	Saturday Review	Aug. 1903.
Alexandre, Arsène	Les Arts	Sept. 1903.
	American Architect	Nov. 1887.
	Art Journal	v. 49, p. 10.
	Art Journal	v. 52, p. 198.
	Art Journal	v. 49, p. 298.
Bacher, Otto	Century Magazine	1902, p. 100-111.
Baldry, A. L.	The Studio	Sept. 1903.
Beal, S.	American Architect	v. 81, p. 91.
Beerbohm, Max	Metropolitan	1904, p. 728-733.
Beerbohm, Max	Saturday Review	Nov. 1897.
Bénédite, Léonce	Gazette des beaux-arts	1905, p. 33-34.
Bloor, A. J.	Critic	1903.
Brinton, Christian	Critic	1902.
Brinton, Christian	Munsey's Magazine	1906.
Brownell, W. C.	Scribner's Magazine	Aug. 1879.
Boughton, G. H.	International Studio	1904, p. 210-218.
Caffin, Charles H.	International Studio	1903, v. 20.
Coburn, Fred. W.	Brush and Pencil	1904, v. 13.
Cortissoz, Royal	Atlantic Monthly	1903, v. 92, pp. 826-838.
Cox, Kenyon	Nation Magazine	1904 v. 78.
Crawford, Earl Stetson	The Reader	1903, v. 2, pp. 387-390.
	Current Literature	Sept. 1903.
Dempsey, Charles W.	Magazine of Art	1882, p. 358.
Dempsey, Charles W.	McClure's Magazine	v. 7, p. 374.
Dodgson, Campbell	Graphische Künste	1904.
Dowdeswell, W.	American Architect	v. 22, p. 258.
Dreyfus, Albert	Kunst für Alle	1907.
	Eclectic Magazine	1903, v. 10, pp. 556-558.
Fenellosa, Ernest F.	Lotus Magazine	1903.
Finberg, A. J.	Athenæum Magazine	1902-3.
Fortuny, Pascal	Gazette des beaux-arts	1903, v. 30.
Fourcaud, L. de	Gazette des beaux-arts	June, 1884.
Geffroy, Gustave	Revue Universelle	Sept. 1903.
Hadley, Frank H.	Brush and Pencil	1903, v. 12.
	Harper's Weekly	Aug. 1903.
Hartmann, Sadakichi	Wilson's Magazine	Apr. 1910.
Hawthorne, Julian	Independent Magazine	Nov. 1899.
Hubbard, Elbert	Idler Magazine	1903, v. 23.
	International Studio	1905, v. 25.
Jenney, W. L. B.	American Architect	v. 59, p. 4.
Jackson, Louise W.	Brush and Pencil	1908.
Kelley, G.	Weston's Magazine	v. 130.
Kessler, Harry G.	Kunst und Künstler	1905.
Knaufft, Ernest	Churchman Magazine	1903.
Knaufft, Ernest	Review of Reviews	v. 28, p. 173.
Kobbé, Gustave	The Chap Book	1898.
	Kunst und Künstler	1905.
	Kunst und Künstler	1908.
Levin, Julius	Illustrirte Zeitung	1903.
	Living Age	1905, v. 28 (v. 246).
Losee, William F.	Brush and Pencil	1903, v. 12.
Ludovici, A.	Art Journal	1906, v. 68.
	Masters in Art	1907, v. 8.
Macfall, H.	Academy	v. 66, p. 633.
Mather, Frank, Jr.	World's Work	1903.
Matsuki, Bunkio	Lotus Magazine	1903.
Mauclair, Camille	Rev. Polit. and Litter.	1903, v. 20.
Mans, Octave	International Studio	1904, v. 23.
Meier-Graefe, Julius	Die Zukunft	1903.
Menpes, Dorothy	International Studio	1904, v 20, pp. 245-257.
Menpes, Mortimer	Cornhill Magazine	1903, v. 15.
McColl, D. S.	Art Journal	v. 15, p. 88.
McColl, D. S.	Saturday Review	v. 13, p. 357.
Meynell, Wilfred	Pall Mall Magazine	1903, v. 31.
Morton, Fred. W.	Brush and Pencil	1903, v. 12.
Mulliken, Mary A.	International Studio	1905, v. 25.
Muster, John de	Elseviers Geillust	1907, v. 33.
	The Nation	1903, pp. 149-151.
Patini, Rinaldo	Nuova antologia	1909, v. 140.
Pennell, Joseph	Burlington Magazine	1903, v. 3.
Pennell, Joseph	Nation	v. 54, p. 280.
Pennell, Joseph	North American Review	1903, v. 177.
	Scribner's Magazine	v. 21, p. 277.
Pennington, Harper	International Quar'ly	1904, v. 10, No. 1.
Pennington, Harper	Metropolitan Magazine	1910, pp. 769-776.
Princep, Val	Magazine of Art	1903.
Quilter, Harry	Chamber's Magazine	1903, v. 66.
	Revista Latino Americana	1903, v. 1.
Rosenhagen, Hans	Nord und Süd	1909, v. 130.
	Saturday Review	v. 3 p. 208.
Scott, William	International Studio	1903, pp. 97-107.
Sickert, Bernhard	Burlington Magazine	1905, v. 6.
Sickert, Oswald	International Studio	1903, v. 21.
Sickert, Oswald	Kunst und Künstler	1903, v. 1.
Sickert, Walker	Fortnightly Review	v. 54, p. 243.
Sketchley, R. E. D.	Kunst und Künstler	1906, v. 4.
Smalley, Phoebe J.	The Lamp	v. 27, p. 110.
Spielmann, M. H.	Magazine of Art	Nov. 1903, pp. 69-70.
Swinburne, A. C.	Fortnightly Review	v. 49, p. 745.
Swinburne, A. C.	Ecclesiastic Magazine	v. 111, p. 154.
Teall, Gardner C.	The Bookman	1903, pp. 265-268.
Thompson, D.	Art Journal	1903, v. 55.
	Academy	v. 23, p. 134.
Wedmore, Fred	19th Century Magazine	1904, v. 21.
	Knowledge	v. 3, p. 208.
Way, Thomas R.	International Studio	1903.
Wuerpel, G. H.	Independent	v. 56, p. 131.
Wilson, T.	Book Buyer	v. 17, p. 113.

PRINCIPAL PAINTINGS[2]

[2] p. indicates when picture was painted, or started, as it sometimes took Whistler more than ten years to finish a picture; e. indicates when first exhibited. Dates and ownership are omitted whenever author failed to verify facts.

La Fumette		p. 1859.
Self-portrait	(S. P. Avery, Esq.)	p. 1859.
La Mère Gérard		p. 1859.
The Music Room	(Frank J. Hecker, Esq.)	p. 1860.
The Woman in White	(J. H. Whittemore, Esq.)	p. 1863 e. 1863.
Lange Leizen of Six Marks: In Purple and Rose	(John G. Johnson, Esq.)	p. 1864 e. 1864.
Harmony in Purple and Gold: The Golden Screen	(Chas. W. Freer, Esq.)	p. 1864 e. 1865.
Symphony in White II: The Little White Girl	(Arthur Studd, Esq.)	p. and e. 1864.
Symphony in White III	(E. Davis, Esq.)
At the Piano	(E. Davis, Esq.)	p. 1859 e. 1867.
La Princesse du Pays de la Porcelaine	(Chas. W. Freer, Esq.)	p. 1864 e. 1865.
On the Balcony: Harmony in Flesh Colour and Green	(Chas. W. Freer, Esq.)	e. 1866.
Self-portrait	(George McCullough, Esq.)	p. 1867.
Arrangement in Black: F. R. Leyland	(Chas. W. Freer, Esq.)	e. 1873
Arrangement in Brown and Gold	(J. J. Cowan, Esq.)
Woman in Gray	(Rijks Museum, Amsterdam)
Lady in Gray	(Metropolitan Museum, New York)
L'Andalusienne	(John H. Whittemore, Esq.)	p. about 1894.
Arrangement in Black and Brown: Miss Rose Corder	(R. A. Canfield, Esq.)	p. 1876 e. 1881.
The Peacock Room	(Chas. W. Freer, Esq.)	1876.
Arrangement in Black and Brown: The Fur Jacket	(William Burrell, Esq.)	p. 1876.
Américaine		p. 1876 e. 1878.
Florence Leyland	(Brooklyn Institute, New York)	p. 1876 e. 1878.
Arrangement in Gray and Black: Thomas Carlyle	(City Art Galleries, Glasgow)	p. 1872 e. 1877.
Sir Henry Irving as Philip II		e. 1877.
Arrangement in Gray and Black: The Artist's Mother	(Luxembourg Gallery)	p. 1871 e. 1881.
Arrangement in Gray and Green: Miss Alexander	(W. C. Alexander, Esq.)	p. 1872 e. 1881.
Arrangement in Black and White: Lady Meux		p. 1877 e. 1884.
Harmony in Pink and Gray: Lady Meux		e. 1882.
Theodore Duret		e. 1883.
Arrangement in Black: Lady Archibald Campbell	(Wilstach Gallery, Phila.)	e. 1883.
Mrs. Louis Huth		p. 1877 e. 1884.
Arrangement in Black: Mme. Cassatt		e. 1855.
Arrangement in Black: Pablo Sarasate	(Carnegie Art Institute, Pittsburg, Pa.)	p. 1884 e. 1886.
Harmony in Ivory: Lady Colin Campbell		e. 1866.
Arrangement in Violet and Rose: Mme. Walter Sickert		e. 1887.
Arrangement in Black and Gold: Comte de Montesquieu	(R. A. Canfield, Esq.)	e. 1891.
The Master Smith of Lyme Regis	(Boston Museum)	e. 1895.
Little Rose of Lyme Regis	(Boston Museum)	e. 1895.
Full length Self-portrait	(G. W. Vanderbilt, Esq.)	e. 1900.

NOCTURNES

The majority of Nocturnes were painted during the years 1866-1884.

Nocturne in Blue and Gold: Valparaiso	p. 1866 e. 1871. (Chas. W. Freer, Esq.)
Symphony in Gray and Green: The Ocean	p. 1871. (R. A. Canfield, Esq.)
Crepuscule in Flesh Color and Green: Valparaiso	p. 1871.
Nocturne in Blue and Silver: Battersea Reach	p. 1877. (Chas. W. Freer, Esq.)
Nocturne in Blue and Silver	p. 1877.
Nocturne in Blue and Gold: Old Battersea Bridge	(Tate Gallery, London.)
Nocturne: Trafalgar Square, Snow.
Nocturne in Blue and Silver: Bognor.	(Chas. W. Freer, Esq.)
Nocturne in Opal and Silver: The Music Room.
Nocturne in Gray and Gold: Chelsea, Snow.
Nocturne in Gray and Gold: Westminster Bridge.
Nocturne in Blue and Gold: Southampton Waters	(Art Institute, Chicago.)
Nocturne in Brown and Silver: Old Battersea Bridge.
Nocturne in Blue and Gold: St. Mark's, Venice.
Pink and Gray: Chelsea	(Lord Battersea.)
Nocturne in Black and Gold: The Falling Rocket	p. 187 (Mrs. S. Untermyer)
Cremorne Gardens	(Metropolitan Museum, N.Y.)
An Orange Note: Sweet Shop.