But Van Cheele did not stop for anything as futile as thought. Already he was tearing at top speed towards the station. He dismissed the idea of a telegram. “Gabriel-Ernest is a werewolf” was a hopelessly
inadequate effort at conveying the situation, and his aunt would think it was a code message to which he had omitted to give her the key. His one hope was that he might reach home before sundown. The cab which he chartered at the other end of the railway journey bore him with what seemed exasperating slowness along the country roads, which were pink and mauve with the flush of the sinking sun. His aunt was putting away some unfinished jams and cake when he arrived.
“Where is Gabriel-Ernest?” he almost screamed.
“He is taking the little Toop child home,” said his aunt. “It was getting so late, I thought it wasn’t safe to let it go back alone. What a lovely sunset, isn’t it?”
But Van Cheele, although not oblivious of the glow in the western sky, did not stay to discuss its beauties. At a speed for which he was scarcely geared he raced along the narrow lane that led to the home of the Toops. On one side ran the swift current of the mill-stream, on the other rose the stretch of bare hillside. A dwindling rim of red sun showed still on the skyline, and the next turning must bring him in view of the ill-assorted
couple he was pursuing. Then the colour went suddenly out of things, and a grey light settled itself with a quick shiver over the landscape. Van Cheele heard a shrill wail of fear, and stopped running.
Nothing was ever seen again of the Toop child or Gabriel-Ernest, but the latter’s discarded garments were found lying in the road so it was assumed that the child had fallen into the water, and that the boy had stripped and jumped in, in a vain endeavour to save it. Van Cheele and some workmen who were near by at the time testified to having heard a child scream loudly just near the spot where the clothes were found. Mrs. Toop, who had eleven other children, was decently resigned to her bereavement, but Miss Van Cheele sincerely mourned her lost foundling. It was on her initiative that a memorial brass was put up in the parish church to “Gabriel-Ernest, an unknown boy, who bravely sacrificed his life for another.”
Van Cheele gave way to his aunt in most things, but he flatly refused to subscribe to the Gabriel-Ernest memorial.
THE SAINT AND THE GOBLIN
The little stone Saint occupied a retired niche in a side aisle of the old cathedral. No one quite remembered who he had been, but that in a way was a guarantee of respectability. At least so the Goblin said. The Goblin was a very fine specimen of quaint stone carving, and lived up in the corbel on the wall opposite the niche of the little Saint. He was connected with some of the best cathedral folk, such as the queer carvings in the choir stalls and chancel screen, and even the gargoyles high up on the roof. All the fantastic beasts and manikins that sprawled and twisted in wood or stone or lead overhead in the arches or away down in the crypt were in some way akin to him; consequently he was a person of recognised importance in the cathedral world.