"We left the Hotel Victoria this morning. It was fairly comfortable and quiet—at least there was an air of repose about it when we arrived. Before we had been in residence twenty-four hours most of the repose had vanished 'like a dutiful bream,' as Adrian expressed it. However, nothing unduly outrageous happened till last night, when Adrian had a fit of insomnia and amused himself by unscrewing and transposing all the bedroom numbers on his floor. He transferred the bathroom label to the adjoining bedroom door, which happened to be that of Frau Hoftath Schilling, and this morning from seven o'clock onwards the old lady had a stream of involuntary visitors; she was too horrified and scandalized it seems to get up and lock her door. The would-be bathers flew back in confusion to their rooms, and, of course, the change of numbers led them astray again, and the corridor gradually filled with panic-stricken, scantily robed humans, dashing wildly about like rabbits in a ferret-infested warren. It took nearly an hour before the guests were all sorted into their respective rooms, and the Frau Hofrath's condition was still causing some anxiety when we left. Susan is beginning to look a little worried. She can't very well turn the boy adrift, as he hasn't got any money, and she can't send him to his people as she doesn't know where they are. Adrian says his mother moves about a good deal and he's lost her address. Probably, if the truth were known, he's had a row at home. So many boys nowadays seem to think that quarrelling with one's family is a recognized occupation."
Lucas's next communication from the travellers took the form of a telegram from Mrs. Mebberley herself. It was sent "reply prepaid," and consisted of a single sentence: "In Heaven's name, where is Beth?"
THE CHAPLET
A strange stillness hung over the restaurant; it was one of those rare moments when the orchestra was not discoursing the strains of the Ice-cream Sailor waltz.
"Did I ever tell you," asked Clovis of his friend, "the tragedy of music at mealtimes?
"It was a gala evening at the Grand Sybaris Hotel, and a special dinner was being served in the Amethyst dining-hall. The Amethyst dining-hall had almost a European reputation, especially with that section of Europe which is historically identified with the Jordan Valley. Its cooking was beyond reproach, and its orchestra was sufficiently highly salaried to be above criticism. Thither came in shoals the intensely musical and the almost intensely musical, who are very many, and in still greater numbers the merely musical, who know how Tchaikowsky's name is pronounced and can recognize several of Chopin's nocturnes if you give them due warning; these eat in the nervous, detached manner of roebuck feeding in the open, and keep anxious ears cocked towards the orchestra for the first hint of a recognizable melody.
"'Ah, yes, Pagliacci,' they murmur, as the opening strains follow hot upon the soup, and if no contradiction is forthcoming from any better-informed quarter they break forth into subdued humming by way of supplementing the efforts of the musicians. Sometimes the melody starts on level terms with the soup, in which case the banqueters contrive somehow to hum between the spoonfuls; the facial expression of enthusiasts who are punctuating potage St. Germain with Pagliacci is not beautiful, but it should be seen by those who are bent on observing all sides of life. One cannot discount the unpleasant things of this world merely by looking the other way.
"In addition to the aforementioned types the restaurant was patronized by a fair sprinkling of the absolutely nonmusical; their presence in the dining-hall could only be explained on the supposition that they had come there to dine.
"The earlier stages of the dinner had worn off. The wine lists had been consulted, by some with the blank embarrassment of a schoolboy suddenly called on to locate a Minor Prophet in the tangled hinterland of the Old Testament, by others with the severe scrutiny which suggests that they have visited most of the higher-priced wines in their own homes and probed their family weaknesses. The diners who chose their wine in the latter fashion always gave their orders in a penetrating voice, with a plentiful garnishing of stage directions. By insisting on having your bottle pointing to the north when the cork is being drawn, and calling the waiter Max, you may induce an impression on your guests which hours of laboured boasting might be powerless to achieve. For this purpose, however, the guests must be chosen as carefully as the wine.