"I can't get her into lyric shape, try as I will," said Septimus mournfully. "You see, one has to work in a lot of sentimental, sugary compliment with a catchy rhyme, and a certain amount of personal biography or prophecy. They've all of them got to have a long string of past successes recorded about them, or else you've got to foretell blissful things about them and yourself in the future. For instance, there is:
'Dainty little girlie Mavis,
She is such a rara avis,
All the money I can save is
All to be for Mavis mine.'
It goes to a sickening namby-pamby waltz tune, and for months nothing else was sung and hummed in Blackpool and other popular centres."
This time Clovis's self-control broke down badly.
"Please excuse me," he gurgled, "but I can't help it when I remember the awful solemnity of that article of yours that you so kindly read us last night, on the Coptic Church in its relation to early Christian worship."
Septimus groaned.
"You see how it would be," he said; "as soon as people knew me to be the author of that miserable sentimental twaddle, all respect for the serious labours of my life would be gone. I dare say I know more about memorial brasses than anyone living, in fact I hope one day to publish a monograph on the subject, but I should be pointed out everywhere as the man whose ditties were in the mouths of nigger minstrels along the entire coast-line of our Island home. Can you wonder that I positively hate Florrie all the time that I'm trying to grind out sugar-coated rhapsodies about her."
"Why not give free play to your emotions, and be brutally abusive? An uncomplimentary refrain would have an instant success as a novelty if you were sufficiently outspoken."
"I've never thought of that," said Septimus, "and I'm afraid I couldn't break away from the habit of fulsome adulation and suddenly change my style."
"You needn't change your style in the least," said Clovis; "merely reverse the sentiment and keep to the inane phraseology of the thing. If you'll do the body of the song I'll knock off the refrain, which is the thing that principally matters, I believe. I shall charge half-shares in the royalties, and throw in my silence as to your guilty secret. In the eyes of the world you shall still be the man who has devoted his life to the study of transepts and Byzantine ritual; only sometimes, in the long winter evenings, when the wind howls drearily down the chimney and the rain beats against the windows, I shall think of you as the author of 'Cora with the lips of coral.' Of course, if in sheer gratitude at my silence you like to take me for a much-needed holiday to the Adriatic or somewhere equally interesting, paying all expenses, I shouldn't dream of refusing."