“Good Heavens, what is suggestion dancing?” asked Yeovil.
“Oh, something quite new,” explained Joan; “at any rate the name is quite new and Gorla is new as far as the public are concerned, and that is enough to establish the novelty of the thing. Among other things she does a dance suggesting the life of a fern; I saw one of the rehearsals, and to me it would have equally well suggested the life of John Wesley. However, that is probably the fault of my imagination—I’ve either got too much or too little. Anyhow it is an understood thing that she is to take London by storm.”
“When I last saw Gorla Mustelford,” observed Yeovil, “she was a rather serious flapper who thought the world was in urgent need of regeneration and was not certain whether she would regenerate it or take up miniature painting. I forget which she attempted ultimately.”
“She is quite serious about her art,” put in Cicely; “she’s studied a good deal abroad and worked hard at mastering the technique of her profession. She’s not a mere amateur with a hankering after the footlights. I fancy she will do well.”
“But what do her people say about it?” asked Yeovil.
“Oh, they’re simply furious about it,” answered Joan; “the idea of a daughter of the house of Mustelford prancing and twisting about the stage for Prussian officers and Hamburg Jews to gaze at is a dreadful cup of humiliation for them. It’s unfortunate, of course, that they should feel so acutely about it, but still one can understand their point of view.”
“I don’t see what other point of view they could possibly take,” said Yeovil sharply; “if Gorla thinks that the necessities of art, or her own inclinations, demand that she should dance in public, why can’t she do it in Paris or even Vienna? Anywhere would be better, one would think, than in London under present conditions.”
He had given Joan the indication that she was looking for as to his attitude towards the fait accompli. Without asking a question she had discovered that husband and wife were divided on the fundamental issue that underlay all others at the present moment. Cicely was weaving social schemes for the future, Yeovil had come home in a frame of mind that threatened the destruction of those schemes, or at any rate a serious hindrance to their execution. The situation presented itself to Joan’s mind with an alluring piquancy.
“You are giving a grand supper-party for Gorla on the night of her début, aren’t you?” she asked Cicely; “several people spoke to me about it, so I suppose it must be true.”
Tony Luton and young Storre had taken care to spread the news of the projected supper function, in order to ensure against a change of plans on Cicely’s part.