Figure 13.—Early exhibit on homeopathy showing its history, methods and remedies which was installed about 1929. (Smithsonian photo 27049.)
Without a doubt, the most outstanding accession in the field of pharmaceutical history during Dr. Whitebread’s years of service was the acquisition of the E. R. Squibb and Sons old apothecary shop. Most of the baroque fixtures, including the stained-glass windows with Hessian-Nassau coats of arms and wrought-iron frames, were part of the mid-18th-century cathedral pharmacy “Münster Apotheke” in Freiburg im Breisgau, Germany. It was offered for sale in September 1930 by Dr. Jo Mayer of Wiesbaden, Germany, who was an enthusiastic collector of antiques, especially those related to the health professions. Earlier that year, a historian of pharmacy and chemistry, Fritz Ferchl of Mittenwald, Germany, had published a series of scholarly and informative articles on the Meyer collection in which the outstanding specimens were beautifully portrayed and thoroughly described (see bibliography).
As a result of Dr. Mayer’s efforts to sell his collection, the impact of Ferchl’s illustrated articles, and the uniqueness of the collection, E. R. Squibb and Sons purchased it in 1932 and brought it to the United States “with the thought that it would provide for American pharmacy, its teachers and students, a museum illuminating the history, growth, and development of pharmacy, its interesting background and struggle through the ages.” It was displayed at the Century of Progress exposition held in Chicago during 1933 and 1934; subsequently, it was assembled in the Squibb Building in New York City as a private museum where, for about 10 years, it was visited by many interested in pharmacy, ceramics, and art. Charles H. LaWall, who was originally engaged to prepare a descriptive catalog on the exhibit, gave it the title “The Squibb Ancient Pharmacy.”
Late in 1943, E. R. Squibb and Sons offered the collection as a gift to the American Pharmaceutical Association if the latter would provide museum space for it. The offer was accepted, but the Association finally found it difficult to spare the needed space for the collection and decided to take up the matter with the U.S. National Museum.
Figure 14.—This early exhibit on osteopathy was renovated several times prior to the early 1940’s. (Smithsonian photo 19250.)
At this point, it should be stated that since 1883 the members of the American Pharmaceutical Association have been keenly interested in having the National Museum serve as the custodian for all collected objects and records of historical interest to pharmacy. In 1944, the Association officially offered to deposit on permanent loan, the Squibb’s pharmacy collection in the Smithsonian Institution with the understanding that a suitable place would be provided for prompt and permanent display. The offer was accepted, and during April and May of 1945, the entire collection was transferred to the Smithsonian Institution, and construction to recreate the original two rooms for the old, 18th-century, European “Apotheke” was underway.
By August 1946, the exhibit was completed. In the large room where the pharmacist met his customers, the shelves were filled with 15th- to 19th-century, European pharmaceutical antiques. These included Renaissance mortars; 16th- and 17th-century nested weights; beautiful Italian, French, Swiss, and German majolica and faience drug jars; Dutch and English delft; drug containers made of flint or opal glass with fused-enamel labels with alchemical symbols; rare, 16th-century, wooden drug containers, each with the coat of arms of the city in which each was made; and two glass-topped, display tables contained franchises issued and signed by Popes or state rulers, medical edicts, dispensatories, herbals, pharmacopoeias, and pharmaceutical utensils.
On the walls in the small laboratory room, which also had been used as a workshop and a study, were a stuffed crocodile, shark’s head, tortoise, fish, and salamander, parts of which were utilized as remedial agents. Their presence provided tangible evidence that the pharmacy dispensed genuine drugs and not substitutes.
The pharmaceutical profession in this country hailed the outstanding exhibition, and the November 1946 issue of the Journal of the American Pharmaceutical Association, Practical Pharmacy Edition, devoted its front cover to depicting one corner of the study and laboratory room of the shop.[16] Also, in a letter dated January 2, 1947, addressed to Dr. Alexander Wetmore, then Secretary of the Smithsonian Institution, Dr. Robert P. Fischelis, the secretary of the American Pharmaceutical Association, considered the completion of the deposited exhibition a triumph and “as one of the highlights of the accomplishments of the Association in 1946.”