I own to a rooted antipathy to carts, going much farther back than my visit to Nantucket. The one I rode in over a stony road in Maine, with a sack of hay for a cushion, put me out of conceit with carts. I would have admired the scenery, had not my time been occupied in holding on, and in catching my breath. I might have talked with the driver, had not the jolting put me under the necessity of swallowing my own words, and nobody, I fancy, quite likes to do that. What little was said came out by jerks, like the confession of a victim stretched on the rack. Henceforth I revolted against having my utterance broken on the wheel.

But when I came to be the involuntary witness of a family quarrel in a cart, I banished them altogether from the catalogue of vehicles. "You are kept so very close to it, in a cart, you see. There's thousands of couples among you getting on like sweet-ile on a whetstone, in houses five and six pairs of stairs high, that would go to the divorce court in a cart. Whether the jolting makes it worse, I don't undertake to decide, but in a cart it does come home to you, and stick to you. Wiolence in a cart is so wiolent, and aggrawation in a cart so aggrawating."

After leaving the town the way is skirted, for some distance, with scraggy, weird-looking pitch-pines, that are slowly replacing the native forest. At every mile is a stone—set at the roadside by the care of one native to this, and now an inhabitant of the most populous island in America.[250] They are painted white, and stand like sentinels by day, or ghosts by night, to point the way. In one place I noticed the bone of a shark stuck in the ground for a landmark. There are two roads to Siasconset, the old and the new. I chose the old.

A stretch of seven miles across a lonely prairie, with no other object for the eye to rest upon than a few bare hills or sunken ponds, brought us in sight of the village and of the sea.

The Siasconset of the past was neither more nor less than a collection of fishermen's huts, built of the simplest materials that would keep out wind and weather. In the beginnings of the English along our coast these little fishing-hamlets were called "stages." Other fishing-stages were at Weweeders, Peedee, Sesacacha, and Quidnet. Of these Siasconset alone has flourished. All early navigators and writers agree that the waters hereaway were abundantly stocked with the cod.

I found the village pleasantly seated along the margin of the bluff, that rises here well above the sea. Behind it the land swelled again so as to intercept the view of the town. Underneath the cliff is a terrace of sand, to which a flight of steps, eked out with a foot-path, assists the descent. Here were lying a number of dories, and one or two singular-looking fish-carts, with a cask at one end for a wheel. A fish-house, with brush flakes about it, and a pile of wreck lumber, completed what man might have a title to. This terrace pitches abruptly into the sea, with a regularity of slope like the glacis of a fortress; It would never do to call the Atlantic a ditch, yet you seem standing on a parapet of sand. The sand here appears composed of particles of granite; in other parts of the island it is like the drift at Cape Cod.

HOMES OF THE FISHERMEN, SIASCONSET.

The village is an odd collection of one-story cottages, so alike that the first erected might have served as a pattern for all others. Iron cranes projected from angles of the houses, on which to hang lanterns at night-fall, in place of street-lamps. Fences, neatly whitewashed or painted, inclosed each householder's possession, and in many instances blooming flower-beds caused an involuntary glance at the window for their guardians. On many houses were the names of wrecks that had the seeming of grave-stones overlooking the sands that had entombed the ships that wore them. In one front yard was the carved figure of a woman that had been filliped by the foam of many a sea. Fresh from the loftier buildings and broader streets of the town, this seemed like one of those miniature villages that children delight in.